What makes me feel differently is that when the black horse and the white horse run side by side in slow motion not long at the beginning of the film, I think whether it is a metaphor for the harmonious coexistence of whites and blacks, although the film shows racism in a very American style (I think this It is a plot that is still very ingrained in today's white American crowd, although it has been greatly improved from earlier), standard American movies, and many people will use Quentin's movies as a reference. Looking at Quentin's films, in fact, many times it also represents a very American point of view. I am afraid that there are many dark humorous links, and only real Americans will smile and feel the same. This needs to be verified by looking at some books on American history and humanistic perspectives.
From the first time I saw an evaluation and commentary on Chinese and foreign movies on Li Yinhe's Weibo, I mentioned that Wang Xiaobo's favorite "Pulp Fiction" began to chase Quentin's movies to "Kill Bill". The mournful episode "BANGBANG", a song application that echoes the theme, is a great feature of Quentin's film. The growing interest in movies is inseparable from the appreciation of these acclaimed masterpieces. Just watching this superficially not only entertains my spare time but also improves my aesthetic taste.
Thanks for the movie, thanks to Quentin.
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