The story of the whole movie is relatively realistic, mob, ignorant, civilized, brave, the fly in the ointment is that the foreshadowing in the first half is too strong and gorgeous, but the style in the second half is too simple and down-to-earth, and the foreshadowing is just for a phone call. And a report, the rescue depends on the wisdom of the mind.
The performance of the other six hostages is also very interesting. When faced with despair, when helpless, ignorant, fearful, and suspicious, the desperation can even stimulate human nature. The performance of optimists and pessimists is really different. At this time, do you still believe in others, do you still believe that you can survive the disaster, whether you can still make judgments with a calm mind, and determine what the most appropriate method is, whether you can still take care of others, can you still love others and give others care and strength. So I don't like the bearded guy who played a big role in time. He was timid and cowardly, but instead he was his wife, who was gentle and didn't give up on him.
What I don't like most about the film is the American-style individual hero. This kind of plot is inevitable in a film of this theme, but Tehran is deeper. I love that Hollywood makeup artist and lee, the sweet old man with the lifetime achievement award.
do you really know that screenwriter?
no, I pissed next to him once.
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