The only time in Tuao that I didn't fall asleep watching an English film without subtitles (probably because of the lack of dialogue.
The whole film mainly relies on bgm, open seascape sky and rich expressions of characters to render the atmosphere. Nolan has been working with Hans since the days of Batman. You remember that when you watched "Interstellar", I was shocked by the soundtrack that was both ear-piercing and whisper-like at the time. After that, I searched for the original soundtrack, and every time I heard it, it seemed that I could see the grand multi-dimensional universe. Slowly spread out in front of you.
In terms of plot, it is not as ups and downs as Nolan's previous works, because after all, it was changed according to the Dunkirk retreat in history, and the audience already knew the final outcome: the German strategy won and the British and French allied forces retreated successfully and saved. strength, and won the counterattack that followed. But Nolan still played an ingenious editing method: narratives were presented in three timelines from the three perspectives of the army, navy, and air force. The final ending included the army that successfully retreated, and the army that defeated the enemy plane to buy time for the coalition, but was finally captured. of the Air Force. It can be considered a thought.
The overall impression is that most of the front part is unpleasant to watch, and the soundtrack has been very depressing until the turning point when the coalition forces saw countless British boats approaching. The miracle of being born to death may be because I have had such an experience, and I was moved to tears all of a sudden. I don't know if anyone has heard of Mika Nakajima's "I once thought about it for a hundred times", maybe that's how it feels.
Trapped in Dunkirk, they await their fate. Looking forward to the big retreat, looking forward to a miracle.
"Trapped at Dunkirk, they await their fate.
Hoping for deliverance.
For a miracle."
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