Second brush, impressed, full of love, light and shadow, rhythm, actors, characters, if you are looking forward to a suspenseful, action-packed crime movie, it is undoubtedly like the first time I saw this movie. Mood, dull, disappointed. However, "Drive" is obviously a love movie, a love story of a scorpion.
During the day, the driver is a stuntman with dangerous speed shots. He doesn't say a word. He puts on a mask and passes by in one shot. His business level is good; at night, he is a speed driver who shuttles through the dark streets. The ability is top-notch, and after 5 minutes he will pull away cleanly. Therefore, the robbers who have worked with him have a good impression of him. He didn't come to make friends, he only had one friend, Shannon (Old White) from a car repair shop.
The bright night in Los Angeles is the driver's protective color. He likes to immerse himself in the vast night. The alternating warm and cold tones in the camera hit his resolute face, and no one can see what he is thinking. He was always wearing a white jacket embroidered with scorpions, his hands in his pockets, and he was taciturn, but he actually had a good laugh. He doesn't like to laugh, and he never bows his head.
Before meeting Erin, his insensitivity seemed to be the best defense against loneliness. He is like a scorpion, coming out day and night, dormant in the wet night, quietly waiting for the hunting moment. He is calm enough, strikes fast and vicious, and can complete the task efficiently every time.
Erin is his neighbor, they meet in the elevator, Erin has a child and seems to like him. The simple and insipid greetings between neighbors, helping her repair her car, and helping her move things. The extremely life-like detail scenes are slowly giving birth to unspeakable ambiguity. He found that he cared about the mother and son very much. With them, the time became soft and comfortable, and he was as excited as an ordinary boy with his first love. The picture is full of orange warmth, without too many words, the two lonely souls are quietly approaching.
Erin's husband came back, and the budding coziness came to an abrupt end. Erin's husband deliberately ridiculed the driver and Erin for having an affair, and then took his son to take out the garbage. In the next picture, the husband's shadow is reflected in the aisle corridor, the driver looks at Irene, Irene smiles awkwardly, and the driver leaves with a smile. He found himself again, and he shouldn't have had too many extravagant hopes in this world, so he wouldn't force it. But when he knew that Erin's husband was forced to participate in a robbery, he chose to join when he should not have participated. Before, he was for the money, this time he was for the mother and son of Irene. Betrayal of principles means self-defeating. So when the plan encounters changes, this time he is destined to not be able to be alone as before. Erin's husband dies, and with it comes the ever-increasing pace of death. He didn't know how to explain all this to Erin—
Can I just walk with you…for?
Erin knew the truth, she was terrified, she realized she didn't know this man.
In the elevator, the killer's gun was within easy reach. The driver pulled Irene behind him, the lights dimmed, he slowly turned around, and pushed Irene against the wall... It was a shocking kiss. He suppressed the tenderness, gratitude, and love in his heart for a long time... Next, he dealt with the killer in his own way in front of Irene... The elevator door slowly closed, and he stared at the unsettled outside the elevator, covered in blood. Irene, at the moment of farewell, he took off his disguise for the first time, revealing the deadly and dangerous nature of scorpions.
That kiss was also his farewell to Irene...
At midnight in Los Angeles, which was brutally swallowed up, the aerial shot over the city that appeared many times was like the perspective of death, witnessing everything that happened.
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