Birdman's Long Shot Surprise, Reivew on Birdman or (The Unexpected Virtue of Ignorance)

Birdman or (The Unexpected Virtue of Ignorance)

When Gonzalez's Birdman first came out, he wasn't really looking forward to it, because the stereotype of him was too deep. Whether it's the Tower of Babel or the story mode of the son of a bitch, it's almost the same. But Birdman is definitely a surprise turnaround, using 14 seamless long takes to show us that in addition to storytelling, he can also play with technology. I watched a couple of times and tried to find the transition of each shot, but the transitions and transitions of each shot are almost perfect, whether it is the use of buildings, scenery or color scheduling to switch the links of the shots, all people can see It's very smooth and there are no stiff places.
The only downside may be that he gave up the good interlocking storylines in the previous movies, but there are pros and cons. Everyone may wish to look forward to the next work. The director can use 14 long shots with a little multi-line plot. Through 14 characters intertwined in the central point or time point of a story, it should be more awesome. . .

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