Of course, there is still a little we can say about this film.
For example, this is a harmonious rot. Sherlock Holmes's little jealousy is always accompanied by a little satisfaction, and the scene where the big ship falls into the water and the two back to back is definitely a classic combination of Kappa and Brokeback Mountain. There is also a shot of the two sitting side by side, and that's when I determined that Sherlock Holmes was the 0!
For example, this is a film that accidentally confuses free and rambunctious with rambunctious. The real Sherlock Holmes has a cool head, not a rash move. I didn't laugh when I saw him tied to the bed, but said man you are so stupid in my heart.
For example, this is a film in which Watson shines so brightly. In the novel, Watson, who always lamented Sherlock Holmes' magic tricks, is gone, replaced by this handsome, smart, and caring British man. I've always had an inexorable prejudice against guys with pointed chins, like Hugh Grant, like Robert Downey. In this regard, Jude Law definitely fits my aesthetic.
For example, this is also a brilliant and flickering film of personal heroism. I'm beginning to think that if the protagonist's law of immortality continues like this, commercial films will be over. Because if we knew the protagonist wouldn't die then there would be no adrenaline. Popcorn doesn't taste good without adrenaline. Popcorn is not good, so going to the cinema to see a movie is nothing special.
For example, this is actually a film based on a manga. This fact can indeed cover most of the sins. Or at least let it be forgiven. But in the end, don't let Conan Doyle go. Isn't heaven without troubles? We still actively cooperate with Christianity and don't toss the old man.
Of course, there is actually a short sentence that covers all of the above:
This is an American film.
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