The king's palm is boundless, and the moment contains eternal calamity

Shannon 2022-04-23 07:01:03

Einstein pointed out that when the speed is close to the speed of light, the usual Galileo transformation does not apply, and the Lorentz transformation should be used instead.

A good person in Copenhagen pointed out that when the scale is as small as the Planck scale, the concepts of size and distance are completely different, and the certainty that is accustomed to collapse instantly collapses.

"The Matrix" brings us the wonderful experience of lengthening and shortening time; "Spider-Man" brings us the thrilling feeling of ten directions; "Interstellar" brings us the perception of boundless and vast space; and "Ant-Man" , then within the framework of our familiar daily life, it shows everything we know from a new perspective, creating a wonderful world of big and small intertwined and changing.

When the faucet of the bathtub was turned on, the familiar water flow suddenly turned into a shocking wave, a small wave, turning out a sky-covering frenzy that was even more turbulent than the huge waves of the Miller planet in "Interstellar"; when the plush of the carpet stood upright The entire IMax giant screen, with running figures interspersed, is even cooler than the death squads in the jungle; not to mention riding flying ants, commanding the brigade, vertical and horizontal pipes, and arbitrarily shuttling through the server cluster, against the phantom thunder of electricity. , with the huge circuit and chip, the well-known Micro came to the face with the unmatched Max, the excitement, how could it be a "cool" word. The rest of the pipes, screws, keyholes, whatever. In addition to the new vision presented by the changes in the scale of daily things, the fight with the falcon also showed a different splendor because of this sudden change. I hope our future "Journey to the West" can also be more exciting. Drawing on this technique, Sun Dasheng's magical powers are presented even more miraculously. In addition to letting Ant-Man and Wasp experience a completely different world, the film also did not forget to "surprise" ordinary people. The huge ants and Thomas "little" trains were simply magical, and they had to be matched with Marvel. The plot is capable of elasticity.


The rhythm of the whole film is tight, which reflects Marvel's highly mature "flowing" operation method. The contradictions between several forces begin. After the clues are initially gathered, the antecedents are reviewed, the principles are analyzed, plans are made, misunderstandings are eliminated, and the villain struggles and events. Change, change the situation, and finally Happy End. Unlike "Women's Federation 2", which is messy because of the large number of characters, "Ant-Man" adopts a relatively concentrated story line, the routine is mature, and Marvel is already a veteran, and the overall rhythm is very comfortable. Similar to "Captain America 2", it incorporates elements of other types of films on the basis of fantasy films. A section of Scott's infiltration into Pym's vault is reminiscent of Jackie Chan's action films, neat and clean; the two infiltrations also innovate the presentation of spy war infiltration films. The emotional line is based on "father-daughter love", which is quite similar to "Interstellar", but is increased by two pairs of father and daughter, and "love daughter" is the emotional bond to unite the core team. However, there is more than warmth and lack of novelty, especially the contradiction between Pym and Hope, which always feels unconvincing. On the contrary, the few sketches between Scott and Anthony were very expressive, and the thin wings that fell at the end did not live up to the inadvertent precipitation before. The "Bear Boys" trio successfully completed the indispensable work in the MCU, embellished a few jokes, solved a few difficulties, relieved a few tensions, and then they can call it a day. It is worth mentioning the way that the story is told by the talkative brother. The perfect fit with the character's mouth shape makes people's brains burst. I don't know which masterpiece is a tribute to, or the director's magic pen.

"Guardians of the Galaxy" showed Marvel's profound ability to play with background music, "Ant-Man" has new ideas in playing music, Siri's chaos is simply amazing, and the noise in the box is overwhelming The mute cannons outside the box are alternately clipped, which also creates a different kind of interest. Apple's implanted advertisement is really unforgettable. There is also Pepsi's signboard, which should also be expensive. The bright signboard and the dim streets, the street corners under the contrast of colors, have a strong cold atmosphere. Domestic directors should really study hard, and also place advertisements, the gap is really obvious.

At the end of the feature film, not many viewers left. Finally, there is no need to sit alone in the theater as before, watching the aunt clean the garbage, and then look at the easter eggs. Most people left after watching the Easter eggs of the Wasp, and there were still more than 20 spectators, who stayed until the last moment, and they did not live up to the rhythmic percussion of the scrolling staff subtitles, buried for "Captain America 3" A perfect foreshadowing. ——And those audiences who still can’t sit still after the theater lights are turned on, really proves the power of Marvel: cultivating a new movie viewing experience and cultivating a stable and growing moviegoing crowd. With such a stable audience base, if you take movies as TV dramas or in the field of commercial blockbusters, ask the heroes of the world, who is the enemy?

Just one last word: Welcome to the world of Marvel, Evangeline Lilly!

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Extended Reading

Ant-Man quotes

  • Scott Lang: Sir, I'm sorry I stole the suit. I don't even wanna know why you have it.

    Hank Pym: Maggie was right about you.

    Scott Lang: How do you know about...

    Hank Pym: No wonder she's trying to keep you away from Cassie. The moment things get hard, you turn right back to crime. The way I see it, you have a choice. You can either spend the rest of your life in prison, or go back to your cell and await further instructions.

    Scott Lang: I don't understand.

    Hank Pym: No, I don't expect you to. But you don't have many options right now, and quite frankly, neither do I. Why do you think I let you steal that suit in the first place?

    Scott Lang: What?

    [flashback showing Hank setting things in motion]

    Hank Pym: Second chances don't come around all that much. So next time you think you might see one, I suggest you take a real close look at it.

  • Scott Lang: [after his boss learns about his criminal record] Dale, look, it wasn't a violent crime. I mean, I'm a good worker.

    Dale: No, it wasn't a violent crime. It was a cool crime. I'll tell you what, though. This will be totally off the books, off the records, but, uh, if you want to grab one of those, uh, Mango Fruit Blasts on your way out the door, I'll just pretend I didn't see it.