The Bourne Bourne trilogy is one of the best spy movies of this era. Different from the cool and cool styles of the "Mission: Impossible" series and "007" series, "Bourne" is a master of realistic spy movies. In addition to the first "Bourne's Identity", which is still a little bit hard to let go, the second "Bourne's Supremacy" and the third "Bourne's Ultimatum" are simply perfect action commercial films. Editing is the most powerful place, clean, simple editing constitutes a different realistic style. It is almost a shot every second, and there is no urine spot throughout. Whether it's a car chase or a station escape, they all interpret the highest realm of action editing, without any sloppiness at all. There are also various handheld photography, follow-up photography, shaking the lens, etc., which have become the objects of later film imitation. Jason Bourne is a secret agent legend, and this commercial legend film series is also the first exploration of "self" in an agent film. In "Bourne's Ultimatum" Byrne stands on the rooftop and says to another killer, "Look at us and see what they've made you pay for." This is what Byrne did to his identity Doubt: Said he was fighting for the country, but killing again and again made him doubt himself. In this film, the agent is no longer an ego-mind machine, and Byrne begins to reflect, to question himself, and even the entire state-run agency. The scene where Bourne falls into the water at the end is simply the "leopard tail" of the trilogy, echoing Bourne's head and tail in the water at the beginning of "Bourne's Identity", which is a retrospective to the whole trilogy. Such a great work, there is no dog blood. There is no excessive sensationalism and lyricism, and such an ending can be used as the end of a Bourne era or as a new beginning of the Bourne era, and it is destined that the "Bourne Bourne" trilogy can go down in history. Trilogy Average Score: 8.7
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