Injury to the family of origin

Douglas 2022-04-22 07:01:01

"Psycho" perfectly shows the Oedipus plot and split personality. It makes me wonder if Hitchcott, like his protagonist, was so voyeuristic and sadistic and misogynist that he shaped the plot. So "the fate of all of us is to direct our first sexual impulse to our mother, and our original hatred and original desire to kill to our father." I think the word mother is constantly appearing in the film and affecting story. Whether it's because of the mother's portrait that the younger sister didn't dare to cheat at home at the beginning, or the explanation for the formation of Norman's character later (the mother's monologue), and the words of the mother in the middle lead to the development of the plot. How important is a person's family of origin? I think Psycho has the answer, man is a product of the environment, and we can spliced ​​out the family environment he grew up with from the words of Norman and his neighbors. Norman grew up in such a family as an appendage of an egoless mother, who was forever trapped in his mother's cage..."I think, we are all in our own traps, stuck, and we There's never going to be a way out, we're grabbing and pulling, but it's just in the air, just at ourselves, and we can't move even with all our strength."

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Extended Reading
  • Carson 2021-10-20 18:59:08

    marvelous. The colorless film is still full of blood and horror. Even if it is a film decades ago, the psychoanalytic passage is not lost. There was a bug that the pulse in Marion's neck was still twitching after he died. . Then Anthony Perkins was a slapstick. . . Then again, is this the inspiration for the role of Mother Howard? . Oops

  • Antonio 2022-03-26 09:01:01

    Personal top ten has always been

Psycho quotes

  • Marion Crane: You can't buy off unhappiness with pills.

  • Norman Bates: The mattress is soft and there're hangers in the closet and stationary with "Bates' Motel" printed on it in case you want to make your friends back home envious.

    [nervous laughter]

    Norman Bates: And, the, eh, over there.

    Marion Crane: The bathroom.

    Norman Bates: Yeah.