Soft-spoken Bogey

Lorna 2022-04-22 07:01:01

Hitchcock here exhibits his full grasp of the art of suspense. From the very start, we are titillated with a sense of thrill and foreboding, but we just cannot read the omen: we know something sisnister is in the air, but we are still surprised when we finally see where the real crime is, anc committed by whom. Looking backward, our intuition at the first viewing was generally right, but not precise; just as in real life. Watching the movie again, the surprises are of course gone; but that leaves us all the better prepared to appreciate the "surprisingness"---to quote CS Lewis---so carefully crafted by Hitchcock.

Anthony Perkins college-boy, jerky blitheness is excellently suited to the plot development. He seems the least ominous of all screen villains, a little effete, a little lost, all of which slowly build up to a sinister personality with few parallels. We are thrown hints, of course: digression on "eat like a bird", the professed passion for "stuffing things", taken-for-granted convictions like "a boy's best friend is his mother", and "we all get a little mad sometimes , etc, etc. The beauty of these tidbits is that we recognized the implied horror only in retrospect.

What ruins it for me is the film's heavy-handed use of half-baked Freudian psychology, the same excesses as in "Spellbound". The smugness of the court-appointed pschiatrist makes me want to kill HIM in shower, indeed.

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Extended Reading

Psycho quotes

  • Norman Bates: You're not going back to your room already?

    Marion Crane: I'm very tired - and I have a long drive tomorrow. All the way back to Phoenix.

    Norman Bates: Really?

    Marion Crane: I - stepped into a private trap back there. I'd like to go back and try to pull myself out of it. Before it's too late for me too.

  • Milton Arbogast: Did you come up here on just a hunch? Nothing more?

    Lila Crane: Not even a hunch, just hope.