'All children lose their minds'

Laura 2022-04-19 09:01:02

What I want to say most after watching it is, why did it take me so long to watch so many soap operas (relative to this one)?

Why don't I watch more films like this that make me rethink my life?

This film, I heard that after its release, did not get the same popularity and applause as the "Godfather" series trilogy. On the contrary,

"In 1979, Coppola made the adventure drama Apocalypse Now . In this film, he tried to use a philosophical point of view to describe how violence, represented by war, alienates people. In order to make this film , he spared no expense, costing a total of 36 million US dollars. After the film was released, the American critics were dead, and the audience did not show the enthusiasm of Coppolas for this high-cost new film, and did nothing at the Oscars. , which made him suffer a major blow. However, Coppola won the Palme d'Or at the 32nd Cannes International Film Festival for this film .[11]

” (from Baidu Encyclopedia)

Is it amazing? Not miraculous at all. Because this film is too profound and too cruel.

profound

The fact is that, 40 years ago, it did not tell a complete story like the war films or other films at that time, but was described in an "autobiographical" area, like a man who had participated in the war recalling a life of his own. stage. At this stage, there is joy, there is fighting and killing, and more, it is lonely talking to oneself. Yes, talking to oneself, people can't figure it out.

The music at the beginning can also be seen as a narration "...lost in the bitter wasteland left by the Romans, all the children lost their minds, and all the children lost their minds, waiting for the summer rains."

"Saigon, damn, I'm still in Saigon. Every time I wake up, I think I'm in the forest. I didn't talk to my wife until I got divorced. When I was on the battlefield, I wanted to go home. But when I got home , I really want to go back to the forest."

These narrations are the signals that fancis coppola wants to convey to everyone. Unfortunately, very few people can really decipher these codes, even the critics at the time. In fact, it seems that these passwords are difficult? not at all. "The wasteland left by the Romans", which is left by the Romans, not only symbolizes the original Western civilization, but also symbolizes the modern civilization of mankind. Well, it's these civilizations that make "all the kids lose their minds." Who are the kids? It is a human being infiltrated under Western civilization, why have they lost their minds? This is what the director wants to discuss with everyone.

cruel

It is that he is talking about you, me, the human beings at that time, and the human beings now. It is the future of mankind, our children and grandchildren. What has changed is only the form of war, and what has remained the same is the killing heart.

Isn't this cruel?

View more about Apocalypse Now reviews

Extended Reading
  • Sofia 2022-03-23 09:01:02

    A /2.5h version/ A refreshing realm of war films, faint, empty, desolate and boundless "horror". More than just anti-war, it is simply using war to question the authenticity and rationality of all civilizations created by mankind. The public version of Brando has not many roles, and it just happens to become a supreme symbol that can be easily shattered-the moment it collapses is the moment when the audience is overwhelmed by the vastness of nothingness.

  • Xzavier 2022-03-23 09:01:02

    [A+] I have to say that the existence of "Apocalypse Now" is the perfect proof that Coppola is possessed by the "God of Film". The superimposed opening is almost like a god. It is an extraordinary artistic method that overrides time and space. It is the best annotation of the three words "movie sense". The dispatch of the Valkyrie parade, the sound effects of the bridge stronghold, the photography of the French manor, the light at the end of the river, and the montage of the end of the killing are all concrete representations of Coppola's body as the "God of Film". Whether it is in the past or now, it is impossible for an audience to walk into this movie. Religion, civilization, ideology, and nihility, Coppola seems to be using images to rape the soul of the audience in all aspects. The 196-minute magical and absurd experience of spiritual interaction seems to be nothing to mention. I admire "Apocalypse Now" very much, but I will never watch it again.

Apocalypse Now quotes

  • Colonel Kilgore: [Explaining why the helicopters play music during air assaults] We use Wagner. It scares the shit out of the slopes. My boys love it!

  • Willard: Hey soldier, do you know who's in command here?

    Soldier: Ain't you?