Literary science fiction masterpiece, four stars. The literary part is full of emotions, and there are always aphorisms like Greyhound's Anatomy, such as "Even if you can predict the future, still embrace it"; the sci-fi part is the language of the heptapod, which is the part I admire the most, an ink circle It is a meaning group, which consists of different blocks, each block corresponds to a real word, without order. This non-linear language allows the heroine to break through the time limit and have the ability to predict the future (there is no theoretical basis for this), but this non-linear ink circle text is indeed logical, and its large amount of information makes it possible I think the last scene where the heroine met and communicated with the seven-legged bucket alone was impossible without the help of a computer (I really want Brother Shui to try it, and call the strongest brain program team to design a topic based on this, Brother Shui must have Interested in doing [呲食]). And the point of this language is that it really embodies the human, oh no, biological way of thinking for what it is—instant, simultaneous, superimposed, multi-meaning, turbid. The Wolf hypothesis in linguistics is quite right. Language in turn determines the way of thinking. Any language of human beings (relatively speaking, the pictographic field of Chinese is relatively high [呲ya]) is a way of thinking about itself. Imprisoned. Time to use the non-linear circle language of the heptapods. #Isn't there a linguist who really wrote a book about the language of heptapods written by the heroine in the movie? #
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