My teardrops are high again, and the laugh is weird = =

Mireille 2022-04-19 09:01:06

The experience of watching this film is that you should not underestimate the female chef who serves you. It is very cruel to start a riot, and it will catch you off guard.
People, since childhood, I couldn't resist the temptation. I thought I had mastered the form and got everything done, so I started to indulge. The result was almost a life-threatening situation. (The second task is very interesting and exciting, the monsters are white and hairless and look like shedding meat)
Ophelia is a very simple little girl, bold, courageous, pure, and loving; Rules, too naive. In the end, she died, such a pure child is not suitable to survive in such a dark world, so the director let her go to a more suitable underground king to be her princess. Immediately, I felt that human beings are really a kind of survival animal. People without survival methods can only live in the never-ending island of spirit and never grow up, and of course they will not live long.
What God saves you is the spirit = = Ah, the flesh cannot be saved at the critical moment.
The dead don't actually know anything, and the rest are imagined by the living for comfort.

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Extended Reading
  • Bartholome 2021-10-20 18:59:31

    The pinnacle of magic realism

  • Darrion 2022-03-23 09:01:07

    N brush, Spanish magic realism, Del Toro representative work. 1. The film is composed of mythology and reality. The mythology part is the experience of the lost princess returning to the underground kingdom, and the reality part is the story of the failure of the fascist captain Vader to encircle and suppress the guerrillas. The princess Ophelia of the Underground Kingdom is the stepdaughter of Captain Vader of Fascism. Through the interweaving of myth and reality in the film, the director makes metaphors and reflections on the modern history of Spain from 1930 to 1944. 2. The defeated guerrilla resistance of the left and the violent suppression of the right government. Ophelia's left-leaning stance covers the whole film, starting with filling the left eye of the stone statue, the left-right confrontation when shaking hands, and choosing the left from the crypt. 3. Father: dictatorship; daughter: revolution; mother: people; underground kingdom: utopia of idealists; son is a new hope (white flowers blooming in fig trees) towards the confusion. 4. Toad/devil/grape/dagger/pocket watch/mandela. 5. The repressive dull gray tones of reality and the mild golden brilliance of mythological metaphors. (9.0/10)

Pan's Labyrinth quotes

  • Ofelia: [to Mercedes] Have you seen my mother? She's very beautiful.

  • Ofelia: [to the giant toad] Hello. I am Princess Moanna, and I am not afraid of you.