red, white, and gray paintings

Chase 2022-04-20 09:01:02

Personally, I reluctantly finished reading him, but even so, I still finished reading it, which is not bad. The outstanding part of the film lies in the skilled film language, the white snow is cold, the gray sky is chilling, and the red violent blood, combined with the gloomy music, always suppresses the audience's heart. Present the story complete and artistic.

The plot of the story is relatively cliché, and the connotation is also very light. A little disappointed after watching. Only from the point of view of the art of appreciating the film, this is certainly a masterpiece. The most impressive thing is the use of red: for example, a person who escaped after witnessing the killing of a police officer was chased by Kea (a kidnapper) and overturned. The red car lights and the white snow and night constitute the desperate and brutal shot of the moment of death. This chase is very classic.

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Extended Reading
  • Jodie 2021-10-20 18:58:31

    No amount of death can stop me from wanting to laugh. Life is always one step faster than movies: that's why it's black humor.

  • Stevie 2021-10-20 18:59:03

    In the works of the Coen brothers, accidents are the main theme of life. The husband asks for money and plots to kidnap his wife; the father-in-law loves money and thinks he is tough, but he was killed by the robbers; the short man wanted to embezzle the money and was hacked to death by his accomplices; the tall man was speechless all the way, so he shot his gun when he saw someone, and finally fell into the woman. In the hands of the police; the policewoman thought that the Japanese were pursuing him, she was insane. The crime plot is mixed with life jokes, and everyone's seriousness becomes more stupid.

Fargo quotes

  • Shep Proudfoot: [to Carl after he inadvertently put a police chief on Shep's trail who's an ex-con] Fuckin' asshole!

  • Reilly Diefenbach: [voice] Mr. Lundegaard? This is Reilly Diefenbach from GMAC. How are you this morning?

    Jerry Lundegaard: [into the phone] Real good. How are you?

    Reilly Diefenbach: [voice] Pretty good, Mr. Lundegaard. I must say, you are damn hard to get a hold of over the phone.

    Jerry Lundegaard: Well, we're pretty darn busy here, but that's the way we like it.

    Reilly Diefenbach: [voice] Well, that's for sure. The reason why I've been trying to reach you is that these last financing documents that you sent over to us... I can't read the serial numbers of the vehicles...

    Jerry Lundegaard: [getting nervous] Yah, well I already got the money. The loans are in place. I already got the...

    Reilly Diefenbach: [voice] Yah, the 320 thousand... you got the money last month from us.

    Jerry Lundegaard: So, we're all set then.

    Reilly Diefenbach: [voice] Yah, but the vehicles that you're borrowing on, I just can't read the serial numbers on your application. Maybe if you could just read...

    Jerry Lundegaard: Yah, but the deal's already done. I've already got the money.

    Reilly Diefenbach: [voice] Yah, but we have an audit here and I just have to know that these vehicles that your financing with this money that they really exist.

    Jerry Lundegaard: [getting more nervous] Well... they exist all right.

    Reilly Diefenbach: [voice] Well, I'm pretty sure they do, but I can't read the serial numbers here. Maybe if you could read the numbers to me on the first...

    Jerry Lundegaard: Yah... well... see... I don't have them in front of me. Why don't I just fax you over a copy?

    Reilly Diefenbach: [voice] No, no, a fax is no good. That's what I have here and I can't read the darn thing.

    Jerry Lundegaard: Yah, I'll have my girl send you a copy then.

    Reilly Diefenbach: [voice] Okay, that's good. But I need to tell you that if I can't correlate these numbers with those specific vehicles, then I'm gonna have to call back all that money.

    Jerry Lundegaard: How much money did you say that was?

    Reilly Diefenbach: [voice] $320,000. I have to correlate that money with the cars that it's being lent on.

    Jerry Lundegaard: Okay, no problem. I'll just fax...

    Reilly Diefenbach: [voice] No, no...

    Jerry Lundegaard: I mean send it right over. I'll shoot it right over. Good bye.

    [hangs up]