In fact, in "Thousands", what impressed me the most was not Qian's perseverance, nor her hazy love with Bai Long, but the lonely face of the faceless man. When crossing the bridge, among the bustling crowd, he was the only one who was so different. He was as clean as the air and drifted by without a sound. He found Chihiro and her differences, so he followed closely. He thought he had found someone who could accompany him and was no longer lonely. He has no voice, can't talk, doesn't understand physical expressions, even when giving Qianxun a life-saving medicine card, he is timid, he is so lonely, and even the surrounding air becomes sad. He just wanted others to give him a little attention. But Chihiro has her own business to do, her parents who have turned into pigs need to be rescued, and Bailong, who forgot her name, is waiting to be recalled. The loneliness of the faceless man is always his alone, he can't get rid of it, and he can't find an exit.
He's starting to get cranky, and he's going to keep destroying, filling himself with food, swallowing frogs, and getting sound. However, after finishing it, I was still lonely. He changed back to himself and followed Qianxun to find a new life.
In the movie, on the train in the water, he stood quietly beside Chihiro, Chihiro patted the seat next to him gently, and he sat down quietly. He was still lonely, but something was different.
It turns out that loneliness can also be well-behaved. Even if you are lonely, don't complain. It's useless. You lose your temper, read a book, or talk to others, but you can't solve it, and you will still be lonely. This is a process, it comes from the heart, and it will end in the heart.
Just like in "The Fairy Tale of the Years", the heart knot that originated from childhood will not go away with time, so the girl from Tokyo came to the countryside, in constant search, to reunite with her childhood and her childhood self--- -------------
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