Today, I would like to give an explanation to the half-part Harry Potter series and the readers who have read them - the inscription date is 1993, or 1994. JK Rowling sat on the table with her eyes on the opposite wall, her manuscript sitting under her butt. She must have thought a lot, for example, she imagined the book on a shelf in a bookstore after it was published, with a bright, but mysterious and mischievous cover; what Gringotts' badge looked like; the publisher Eyes that brightened with surprise; the preoccupied expressions of children as they read; ... she thought of Hans Christian Andersen, the Brothers Grimm, The Lord of the Rings and the Chronicles of Narnia, of Wilde, Enid Brighton, Mark Twain; Later, Elliott, Austin, the Brontë sisters, and Woolf came to mind. She was reluctant to think about the connection between these ideas, and even more lazy to find the lineage for her words, she thought, it doesn't matter, at least for the children, yes. Oh boy—she thought of Jessica. We're all familiar with the "Boy Who Lived", we know his name is Harry James. Potter. At that time, he had quietly gained his life in the manuscript under Rowling's ass. For Harry, life is existence, and the form of existence is understood and remembered in reading. Rowling still doesn't know how many people will be able to read the manuscript papers she's sitting on—they aren't even the plaid, moderately soft, soft-writing papers you see on supermarket shelves, but some dismantled papers. The cigarette case she had to avoid when she was writing, was very annoying, but it also brought unexpected inspiration. At this moment, however, Rowling thought of Jessica, the little girl who was less than two years old. She had 23 chromosomes from the man who claimed to be madly in love with her two years ago, and this man just a few months ago. She quarreled fiercely with herself, so she left him with her daughter. Rowling remembers Jessica's helpless cry when the argument took place. And these things, like most of the pain that each of us suffer silently, will be hidden in the torrent of time and the indifferent eyes of the world, and become an illusion without traces. The writer Rowling decided to use her pen to record and express all this. If this is the case, when we follow the narrative of the female writer and see the violent and ruthless massacre in the dimness and obscurity, we can find the prototype for that scene. A child born not long ago, his parents suffered major changes, however, the great mother's love turned into an indestructible protective force, so that the child would not be invaded by danger again. Little Harry cries the same as Jessica cries when struck by that lightning scar, Dumbledore takes the boy and Rowling takes Jessica out of the falling apart s home. Of course, everything said above is fiction. Even experienced introspectors may not be able to know for sure the connection between behavior and experience, and for writers, the connection between writing content and personal experience is even more indescribable. From this point of view, there is a huge similarity between writing and dreaming. Intentionally or unconsciously, those undercurrent mindstreams actively or passively change their images and emerge to the surface. A novelist who prides himself on his imagination is likely to be very offended if someone asks, "Is this your experience?" He knew, however, that the question was the right one. I sat in the coffee shop, thinking about the seniors whom I have had the privilege of meeting, whom I deeply admire and thank, and the other seniors whom I have not met and only heard a few words about. One of them said that he was either in the coffee shop or On the way to the cafe. I saw them sitting in their own cafe, writing their own and the world's words. They have pens in their hands and paper under them, but I have nothing in my hands, under my fingers is the keyboard. I saw inspiration come into words, flowing out under their nibs, and they wrote so hard that they were afraid they would go away. And I had nothing on my mind. I open the web page and open this social networking site, which is something my predecessors never did in a coffee shop. Not so long ago, timeline swiping took up a huge part of my life, and I'm pretty ashamed of it. And from a certain day, even if I don't turn on the computer for a few days, I don't feel anything wrong. Apparently it has something to do with the slow oxidative reaction that goes on and on in each of my cells, and from the outside, the maiden season of the new year is over, which means another birthday. Obviously, I still have something to write about, but I understand that things have changed. I imagined clicking on the draft box, looking at the semi-finished products that were unlikely to be finished, and thinking of the "series" that had begun. The first one that was seen by many people was a group of Harry Potter. Special people. I don't want to go through those articles, their narratives are impetuous and arrogant, like a dose of Dark Mark trying to spread out in the sky. When the age calendar actually turned that page, I realized that it wasn't just a symbolic number - I was basically past the age to write things like that. While writing the above, I opened several web pages with information on Aunt Rowling. I think that if pen and paper writing is rudimentary and refines the writer's ability to grasp linear texts, then the more accessible information in the Internet age may, to some extent, compensate for the lack of training. I just wanted to write something today, it doesn't matter what it is. But these online information can help me to have a solemn tone when I develop the narrative. As a rule of thumb, Majesty quiets the reader's environment and slows the river of time that flows restlessly through him. In my opinion, this slowdown is the most irreplaceable function of reading, and therefore one of the most unique values a writer can offer his readers. I typed on the keyboard and thought about the Harry Potter fans I wrote before. I probably remembered some beginnings (according to Fang Zhouzi, I must have plagiarized them), which anxiously showed the author's ideas, which are called "engineering students". Perspective”, in fact, the author believes that there are not many engineering students with this perspective. In fact, the author is not quite sure about his so-called "engineering student" identity - of course, this is not important. To put it simply, the author had endless grooves to vomit about the children's novel that he loved and hated at the same time. At that time, he just started to realize that when writing online articles, he should consider the effect of dissemination and the reading scene of online articles. ——Time, place, situation, and then deduce what the reader wants and wants to turn. I do not want to say This destroys the inherent sanctity of the word "writing," but I'm not happy to find myself writing. I think there's nothing wrong with me being a server, but I'm doing a product manager's way of thinking, just as a stylist is concerned with the beauty and ugliness of the client. I want to confess that the metaphor I used at the time was not a stylist, but a sex technician. Obviously, the latter is the more appropriate metaphor, since I pay close attention to the reader's experience, as well as pleasure. I hope, I can do well. Of course, that doesn't mean I'm simply denying my Harry Potter fanfiction. On the contrary, I seem to be thankful that at an age when I can have that kind of writing mood, I have won a little readership for myself with this "work" that is not too rude. When I saw someone asking for a follow-up, I felt a sense of gratitude. But I also know that it doesn't matter to them, these novelties are just FMCGs, and they won't leave any mark. Readers will soon forget the previous plot, and then forget this group of web articles. If I, as an author, are really a service provider, I hope he can provide a service of higher quality, more unique, and more real value. For authors, the most suitable position for writing fast-moving consumer goods may be practice. Harry et al also became a more tangible presence after Rowling's Harry Potter was widely read. As a result, "fans" became possible. Those manuscript papers that Rowling once sat on were finally transformed into different time and space in thousands of minds, as if it was a real world. Rowling built it with imagination, and while the elements aren't new, it's still so beautiful and aspirational. Therefore, it is constantly mentioned by people. In some ways, however, Harry Potter is so badly written that it's too bad to read. These two feelings are intertwined, and I have a lot to say to people. I think it's the same feeling when Rowling wanted to tell people when she was on the train and saw the little dark-haired wizard smiling at her outside the window. From this perspective, perhaps most writing is homogeneous. Next, I read some widely circulated Harry Potter-based articles on this social networking site and decided to write about them as well. Rowling, Hemingway, and Márquez unfolded their papers in their cafes, and I pressed the power button on my computer in mine. This seems to be another homogeneity of writing, where people around him talk in twos and threes, and the writer begins his narrative in a devout, just as he imagined his excellent predecessors would do. Today, I'm sitting in a coffee shop, not knowing what to write. When you see the title of the article, you may realize that it was added later of. I have to say that the inscription was added later. You may have been patiently looking at this, hoping to start a story, and I really don't want to disappoint you, but unfortunately, I will not use the brushstrokes to describe it today. If you like today's tone, then read on. As I write this, I gradually gain confidence that I will be able to make you more satisfied next time. You probably don't remember, in "Harry Potter for Engineering Students", a new crisis is taking place, the villain has not yet appeared, but he claims that the Thames (or some other river) dam will be in The night of the full moon crumbles, and the land of a million inhabitants will become a zealot. Unfortunately, I can't remember the full idea at the time, because according to this engineering student author's "rigorous" standard, it was too brainy. This is different from Aunt Rowling, and the aforementioned complaints against Ha are mainly because of this. As you may recall, Hermione asked Neville's student Enid Blyton to use the Levitation Charm in class to lift an 800-pound globe. She failed, which led to the discussion of how much the Levitation Charm could lift. Here, I no longer want to use the plot to state, what I want to say is that it is really embarrassing that the concept of "mana" is not clearly stated in Hazhong. In the dazzling spell war, whether the same spell has the same power in the hands of different people is a crucial question, and what determines this power (the mage's natural quality, the mage's understanding of the spell, the magician's spell proficiency, the inherent power of the spell itself, etc.), is a bigger test for the world builder. Regardless of legal issues, if a fourth grader uses Avada's life in exactly the same way as Voldemort's, then where is Voldemort so powerful? In the movie, the spell battle is really similar to the gun battle. It is about who is good at shooting and who can dodge with agility. If the wand is knocked out, it is like a gun battle without a gun and can only be beaten. In addition, the stamina (mana) consumed by the casting and the cooling time between castings are not mentioned. If spell warfare is gunfights, then the wizarding world must have developed a combo wand like the M16 or a sniper wand like the B46 (;-)), or some kind of guided spell. In the half-written new bullet, Hermione follows Harry. Seldon, go back to an earlier era - it turns out that the time clock did not disappear, and never did. In history, Hermione has witnessed the development of the wizarding world with her own eyes. In fact, if you think about it, you also know that the wizarding world did not become what it is today, but through the accumulation of experience and wisdom of countless generations of wizards, and today's convenient life has prevented people from understanding the essence. In short, in the era that Rowling focused on, all spells were functional, in other words, each spell fulfilled a function, and these functions were simple and complex, not on the same level, but From a human point of view, it's a whole thing, and that's the beauty of magic. In The Philosopher's Stone, Hermione repairs Harry's broken glasses with a simple spell. This spell may be very old or a modern spell, if it was specifically for glasses, it must have appeared after the invention of glasses, if it works on more broken things, it may have been used to repair in ancient times broken things. There are two ideas for its realization, one is bonding, and the other is "going back to the (not far) past", obviously, the former is not reliable, only the latter (which means that the principle at work is likely to be associated with the time clock). But in a word, repairing glasses is a person's will, and the magic spell function must be related to the method of realizing the will, and the happy life of the wizard must be based on the unremitting study of witchcraft by the senior wizards. Here we can discuss an interesting question: the origin of the wizarding world. Since wizards celebrate Christmas, they should recognize Christ Jesus in their culture. What is the difference between their Bibles and Muggles is a question. If wizards and muggles are descendants of Adam and Eve, then when did they start to diverge is another question. But in any case, there must be a development process. There are these developments in Rowling's narrative. The broom developed from the Nimbus 2000 to the rocket. This is completely a product update. If you ask forward, obviously, there were slower brooms earlier, slower and more The slow broom, and the first broom to fly. So when was the broom invented? It's so uncomfortable to ride, why use it? Why not put on a saddle? This is a problem. If brooms are optional (floo powder, portkeys, Apparition, after all), wands aren't. If it wasn't the invention of Adam and Eve, it must have been the invention of a wizard, and it's clearly revolutionary. What I want to talk about is the relationship between spells and wands, most spells, it seems that the wand is an auxiliary, a bit similar to the scope of a rifle, it may not be impossible without it, but it makes the whole process much more reliable and effective, while the other Seed is like the wand itself Features such as "fluorescent blinking" are like a light on the wand head that can be turned on and off by voice recognition commands. This kind of function is very different from the auxiliary ability of the wand. It is conceivable that the wand already has auxiliary ability at the beginning of its invention. The first wand in the world cannot be "fluorescent". Later, a wizard engineer I added this feature to my wand, and everyone else thought it was good, so they did it, and it became the standard in the wand world. Therefore, such a thing that is only useful for people's daily life, the Deathly Holy Wand is obviously not available. Let's talk about spells, from a historical perspective, each spell was generated at a different time, some are obviously ancient and basic (such as the Levitation spell, the flying spell), and some are obviously modern spells, such as "I solemnly promise not to do good deeds" . These two examples help us think about the nature of mantras. Traditional spells are obviously common sense for a wizard to survive. Obviously, not every wizard has the opportunity to be educated in a wizarding school like Hogwarts. We can imagine that if Hogwarts is a bright university, it should also be There are ordinary first-level, second-level, junior college or lower-level training institutions. Of course, some people can't even afford the lowest-level schools, so they have to buy a copy of "Commonly used" edited by Lockhart in Diagon Alley. 900 Mantras" to live daily life. And these spells are fundamentally different from "I solemnly promise not to do good deeds". If the wand is understood as a wizard's aid, then the spell (plus the wand swipe) should be seen as the method of casting. In "The Philosopher's Stone", Harry has consciously or unintentionally cast spells to achieve his wishes, so the relationship between spells and this spellcasting ability (wizards are not Muggles because of this ability) is worth pondering. In my opinion, magic is a wizard's ability to make the outside world change according to his own thoughts. Harry once made the glass that closed the snake disappear and made the hair grow, so in the latest edition of the "Great British Dictionary of Modern Spells", there must be Corresponding incantations were also found, and Harry might have smiled when he read them, like a child who has long been adept at mental arithmetic learning the vertical method. Then the incantation may be divided into the following two categories: 1. The medium for the wizard to communicate with the outside world (nature), a language that the caster can "understand"; The "Introduction Words", part of the spell-casting ritual. It should be noted that the first type does not involve the use of magic power, and it should probably be called "pseudo-spell", because the caster has no reason to distinguish whether the person who casts the spell is a Muggle or a wizard, so even a Muggle should be able to use the magic spell. Click on the map. Now we use the historical vision again, re-examine the suspension spell, and also use the magic power to reach To the levitation effect, there are about several different ways to achieve it: 1. Turn magic into power and lift the corresponding object; 2. Use magic to make the lifted person weightless and float naturally by the air; 3. Use magic to directly control the object to be lifted. The position of the lifter, and then set this position to "mid-air"; 4, use magic to create an updraft (or other things with a lifting effect) to "blow" the lifted object. In comparison, 3 is more direct, but we can imagine that it must have gone through a long process from the first time a wizard used magic to lift objects to the later known "Levy xxxx". Using their natural ability, a magician may be able to lift an object unconsciously (no matter which method is used), but it may not be universal (for example, using the specificity of the item), and Levy xxx is a universal method. But on the other hand, it also needs to match the correct waving of the wand. Based on this, we boldly guess that the suspension spell is actually integrated into the wand as a function, and the magician's casting process is: by chanting the spell and waving the wand, Apply magic power to an object with a wand. In this process, the spell and the waving action are the interface, or protocol, between the wizard and the wand, which encapsulates the complex levitation implementation process. When the wizard does this, the wand understands that the wizard uses the levitation spell, and then receives the wizard's mana. , which is transformed into a form that can achieve suspension inside the wand, and then applied to the object. And this protocol has not changed since ancient times, so it is strange to read. Then we can guess an important way of development in the wizarding world: wizards abstract the most common and basic daily needs, come up with corresponding implementation methods, integrate them into wands, and design convenient interfaces. In this way, a wand is a "kit". If so, the law would surely prohibit wands from integrating black magic spells. So why can wands "understand" black magic spells? Let's go back to the second guess about the nature of the spell: the "guide words" that help the wizard move his mana and let the world change according to his wishes, part of the spell casting ritual. If so, the perpetrators of black magic must have motives and understand the consequences. Just imagine, a wizard who doesn't know the effect of Avada's life uses this spell, and all the essentials are correct. Will it work? I don't think so. Perhaps this is what makes these magics more difficult. In "Harry Potter for Engineering Students", I prepared such a story: people living at the bottom of the wizarding world have not received a formal system of magic education, and even made wands by themselves, but they use their own knowledge of magic The study of the essence of it greatly surpasses that of other magicians. The catastrophe didn't actually happen, they just wanted to go back Trials and pranks of mainstream society. In that half-written segment, Hermione will go back in time to find out Dumbledore's past and present. And the reason why Dumbledore and Voldemort are far stronger than other wizards is precisely because they deeply understand the nature of magic because of coincidence during time travel. Of course, there is also something "unimportant": Dumbledore and Harry Seldon are the same person, in fact, due to an extremely bizarre process, Dumbledore has become his own entire family tree, drawing a closed line for himself It's like a time zone line. As for the specific situation, please read Heinlein's classic science fiction novel "You Bunch of Souls". I originally wanted to copy this novel and introduce it to you, but unfortunately, I have been unable to do so. did so. By the way, you may remember seeing the name "Bukn Zhang" in the article, in fact, he is the kid who discovered the secret of the wand in the first place, the mastermind of everything (of course, he is the author). In the last part of the planned series, I intend to confuse fiction and reality, past and future, and there will be dialogues and discussions between Harry Potter and others, Rowling, and bukn Zhang, and Harry will ask Rowling why this arrangement is made. His own destiny, why let him take out the Philosopher's Stone from the mirror (if he doesn't take it out, Voldemort can't do anything); why Ron only played chess once; why take him away through such a complicated game as the Triwizard Cup , instead of putting a portkey on his bedside table; why not just smash that stupid crystal ball that is useless to himself but only to Voldemort, and kills Sirius; . . . of course, he has many more Questions, but have no chance to ask, because the author will not write anymore. I saw Rowling look away from the wall, jump off the table, and a little dark-haired wizard came to her chair and sat down. But I'm too far away to hear what they're talking about - well, actually I don't understand English. You guys are chatting slowly... It's a quarter past seven in the evening, and I can't figure out what was written in front of me. All I can remember is that at the beginning of this afternoon, I was sitting in the coffee shop feeling overwhelmed again. In a daze, while imagining the seniors spreading out the manuscript paper, I opened the input box of the diary, and let the narrative accompany me through the afternoon. Writing, I think, is neither sacred nor sublime to me; however, it is a reassuring routine for me. Thanks for seeing here, above. Seldon is the same person. In fact, due to a very strange process, Dumbledore has become his own entire family tree, drawing a closed time zone line for himself. As for the specific situation, please go to Hein Rein's classic science fiction novel "You Gang Back to the Dead", I wanted to copy this novel and introduce it to you, but unfortunately, I have been unable to do so. By the way, you may remember seeing the name "Bukn Zhang" in the article, in fact, he is the kid who discovered the secret of the wand in the first place, the mastermind of everything (of course, he is the author). In the last part of the planned series, I intend to confuse fiction and reality, past and future, and there will be dialogues and discussions between Harry Potter and others, Rowling, and bukn Zhang, and Harry will ask Rowling why this arrangement is made. His own destiny, why let him take out the Philosopher's Stone from the mirror (if he doesn't take it out, Voldemort can't do anything); why Ron only played chess once; why take him away through such a complicated game as the Triwizard Cup , instead of putting a portkey on his bedside table; why not just smash that stupid crystal ball that is useless to himself but only to Voldemort, and kills Sirius; . . . of course, he has many more Questions, but have no chance to ask, because the author will not write anymore. I saw Rowling look away from the wall, jump off the table, and a little dark-haired wizard came to her chair and sat down. But I'm too far away to hear what they're talking about - well, actually I don't understand English. You guys are chatting slowly... It's a quarter past seven in the evening, and I can't figure out what was written in front of me. All I can remember is that at the beginning of this afternoon, I was sitting in the coffee shop feeling overwhelmed again. In a daze, while imagining the seniors spreading out the manuscript paper, I opened the input box of the diary, and let the narrative accompany me through the afternoon. Writing, I think, is neither sacred nor sublime to me; however, it is a reassuring routine for me. Thanks for seeing here, above.
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