It's a very strange viewing experience. The whole rhythm takes a sharp turn after the death of the snake girl, and the characters begin to collapse. The female second put on a set of clown girl makeup and became nervous, and the martial arts movements of somersaults were very similar to the dragon girls in Jackie Chan movies in recent years; the villain man even started to show his nerves and chase down the male protagonist like a ghost; After that, my colleague came to the rooftop, threw the gun and put it on a mindless critic and slipped away; the story ended when the male protagonist took Rachel to escape for a mindless love. The overall style I would like to attribute to the immature Wong Kar Wai style. Even Wong Kar-wai's films will be complained about the rhythm and incomprehension issues, but the integrity, richness and character shaping of their stories are well completed. The polishing of time is the theme that can make people taste the story. But "Silver" grudges the narrative and spends more of its energy on lyrical shots, resulting in a protracted look. Only from the background of the story and the last words of the villain, it can be seen that this is an extremely excellent and contradictory individual, and there is a lot to be discovered in his heart. Unfortunately, the director spent a lot of time on making him nervous, otherwise even if there is too much Two lines can also make the character more three-dimensional. I probably know why the film is held to such an altar: the cyberpunk world view and the design of the big scene, the novelty of the clone setting, the filling of novel elements, and the final words of the villain who pretend to be extremely forceful. I want to add it for various reasons, which caused the film to have a strong impact on people at the beginning of its release, but its novelty and topicality have caused it to be frequently mentioned by Wen Qing in the past few years. Over time, it has become more and more popular, and its shortcomings are rarely mentioned.
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