The so-called liking is not only a man's feelings for a woman, but also a kind of admiration, a kind of admiration, a kind of appreciation that is integrated into the soul. Moreover, France's appreciation and concern for women is gender-neutral. Few countries can treat their women so highly, which is why French cinema is full of women of all kinds. "Nikita" has fighting women, "Killer Leon" has growing women, "Fang Tulip" has dynamic women - even in "A Good Year" In a French film, the "woman" is also a very important element. As a representative of French women, Sophie Marceau is loved by the French. For the same subject matter, the French are the most feminine (Shouldn't I say that the British films are the most masculine...), and there are several types of femininity. For example, I prefer "Amelie".
The style of French films has always been distinct. Since the birth of color films, bright colors occupying a large number of shots is the biggest feature of French films. The fiery bright red deserves a credit in the history of French cinema. Along with the changing colors are camera angles and movements, as well as the rich body language and facial expressions of the actors. In this regard, Audrey Tatu can be said to be an expert. Her acting is difficult to define in a genre, with exaggerated externalized body movements and a more introverted handling of expressions that make her look neither a movie actor nor a theater actor. In "Amelie", close-ups of the details of life can be seen everywhere, reminding the audience that this is a film about the purpose of life, and the actors are also living in the scenes full of life at this moment. But Audrey Tatu occasionally speaks to the camera, deliberately creating an alienation effect. The story of the film is puzzling. It is both full of life interest, but also seems to be very far from real life. To put it simply, it is a story based entirely on the naive imagination of a little girl. The story itself should be false, but the audience forgives the story itself because of her beauty-loving personality. In addition, what this movie does is to use the story as a hypothesis, and outside of the hypothesis, our reflection and attention to life when watching the movie is what this movie really wants to explore. The meaning of the film is no longer a simple concern and thinking about feminism, but a survey of life concerns from the perspective of women.
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