Twelve Angry Men is by far the best-paced movie I've ever seen. The European and American films of that era have not completely separated from the drama, so the serious theatrical atmosphere deepens the "rationality". The whole film is airtight, just like the jury's environment, the heat is unbearable even if the window is opened, even if the fan is eased, it still can't stop them from sweating. It's obvious that there is tight logic everywhere, but the screenwriter has arranged some of these "breathing" points too well, and one of the big feelings is "how did he manage to make those resting paragraphs transition so smoothly, and even further develop. figure". At the end, the last character finally changed his mind. The previous paragraph outside the reasoning was panting, so this should be a drowning man who finally jumped out of the water. I think he has been shaken long ago, but that photo always reminds me What did he do, so he was unwavering, until finally he listed the conclusions that had been overturned before, took out photos and tried to prove something with irrelevant items, and then shredded it after self-evidence. Only then did he face up to this inconvenience The reality that belongs to his story. Some of the shots in this section may have been forgotten [] I just remember, one is the shot of his self-evidence, and some are interspersed, it is the shot of other jurors, close-up, strong contrasting light and shadow, overhead shot, everyone is staring at With his pale self-evidence, Zhang Chili reached its peak as he finally lost control. fantastic
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