Yuri fell to the ground with Lala's back in his eyes, facing his lover but couldn't shout to her, passers-by were looking at him out of sight. The audience sees everything that happens across the screen, this kind of ending is just right, and the incomplete beauty can even move the audience. Yuri Zhivag is dead, no one will notice the death of a small person, whether it is Lala or Tonya, they may still believe that Yuri is still alive, so they wait silently. In the last scene of the film, Yuri and Lara’s daughter learned about her father’s story. Her boyfriend came to pick her up, and the two left arm in arm. It was the sprout of love in a peaceful age, but the subsequent war would make them fall in love. Where does the love go, we think about it, let this story go on.
David Lean’s shots always describe those changing times and show the fate of small people in the context of the big time. The men in David Lean's lens always show frustration. They are handsome and have a strong dignity. They pursue themselves in the storms of the great age, and embody the tragic theme of David Lean's epic film in the confrontation between free will and destiny. Just like our Dr. Zhivag, he is gentle and elegant, with the demeanor of a gentleman and the temperament of a poet. He is kind, sympathetic to the poor, and rescues the wounded on the battlefield. He has a sense of justice and is full of dignity. He puts forward the wartime policies of the Soviet government. Doubt, at the same time he was passionate, and fell in love with two women. However, this kind of love didn't give me the slightest sense of immorality. His love for Tonya and Lara is no different from each other, it is like the parallel sisters of the sky and the sea. In his letter to Tonia, he described how he and Lara rescued the wounded. He never thought of the anxiety in Tonia’s eyes. He stole firewood to keep his wife and children from freezing, unaware of the possible consequences. , He fled the army, looking for a way home in the ice and snow, thinking that he was his lover. He is a typical idealist, who seems out of step with the times and is doomed to suffer setbacks.
In the environment of the great age, personal emotions are fragile, lack of a romantic atmosphere and even love has become humble, so women in the war are naturally marked by the stigma of a rosy face. The love in David Lean's lens is introverted, lacking the heat like dry wood and fire, and some are flowing slowly like small bridges. The women in David Lean's lens are all kind. Tonya and Lara fell in love with the same man, but they were not jealous. Tonya chooses to cry silently. She loves her husband so much, trust him, and pray that her love for her husband can recall Yuri's heart. But when the war forced her to separate from Yuri, she wrote to Yuri again, hoping that he would be happy with Lala. Lala’s heart is painful and guilty. She is also a married woman. She has been abandoned by her husband. She understands Yuri’s love for his wife, and she has a deep sense of guilt for the possibility of breaking up a happy family. She chose to break up with Yuri. When Yuri returned to her side, she felt so happy, forgetting the pain she had suffered due to political persecution. But in the end, Yuri left. He entrusted Lara to Komarovsky and chose to stay and accept the upcoming persecution. Lara left with Komarovsky, sat in the train without saying a word, burying her love for Yuri in her heart, never remembering it again. She raised her and Yuri’s daughter, but never asked her about her father.
Why didn't Yuri choose to leave with Lara, then wouldn't the two be able to stay together for a long time? A girl asked me this question, and I told her that maybe David Lean didn’t want his movie to fall into the cliche of Hollywood movie reunion. I didn't tell her, maybe there is another possibility, for the dignity of a man. Yuri couldn't bear to succumb to Komarovsky's fence and accept the alms of a despicable man. He loved Lala, but he did not give up his position for her. If he compromised with the government and praised the Soviets like those who know the times, they would be free from persecution. If he left with Lala, they would at least be able to Spend the rest of my life together. But he gave up all the possibilities of turning points, he never gave up his position and never accepted the mercy of others. Some people will complain about Yuri's cruelty. He gave up Lara and made Lara Komarovsky's wife, allowing Lara to spend the rest of his life in pain. But if Yuri is a revolutionary, let him give up his revolutionary stand for love, then he will be cast aside by everyone. Thinking about it this way, what reason do we have to take responsibility for him? Since ancient times, the story of not loving the country and loving the beauty has always been widely recited, but if an emperor really abandons his people for a woman, the emperor must be faint. Yuri is a poet and an idealist. He insists on his personality under external pressure and fights against the trend of the times for his dignity. But he still loves Lala and Tonya. He is melancholy and has the passion of poets. He chases Lala in the streets of Moscow, and still wants to call his lover's name at the last moment of his life.
I remembered the story in "Paradise Cinema". The poor boy Dodo fell in love with the banker’s daughter Elena. Although the two fell in love, they couldn’t be together because of the identity gap. Dodo was frustrated and fell down. At that time, the old projectionist Ivordo told Duoduo a story: a soldier fell in love with a princess, and was suffering from it. He asked the princess to marry him, and the princess promised him that as long as he stood for her for a hundred days, he would marry him. The soldier was waiting in front of the princess' palace regardless of the wind and sun. He stood on guard for ninety-nine days, but quietly left on the last night. Why did that soldier give up at the last time? Aifodu asked Duoduo to think, but did not give him an answer. Later, Aifo Duoduo asked Duoduo to leave the town and go to the outside world not to come back. Many years later, Dudou returned to his hometown, and already had the answer to the question. The soldier was afraid that even if he stood for a hundred days, the princess would still not marry him. He would rather escape and keep the best possible in his heart.
In fact, there are many interpretations of this story. If the soldier guessed wrong, the princess really loves him, but just wants to test his love for herself and find a reason for her to marry him. But the soldier chose to give up. Maybe he just gave up the possibility of falling in love for the sake of maintaining his dignity and a beautiful illusion. Just like at the end of "Paradise Cinema", Duoduo saw Elena again. When he learned that Elena was married to his former playmate, he had endless regrets in his heart. If he insisted on it, he didn’t give up. , Maybe everything will not be like this.
Some people say that men live for dignity and women live for love, but maybe love shouldn’t have so-called dignity, because no matter what, there will be a hurt party, and there is no such thing as victory in that long tug-of-war. By. Some stories have no endings, and we will never count how many possibilities there are. The best way may be to hum like Garfield, while love comes and goes fast. Only pork rolls are eternal. , While desperately rushing into the pork roll wrapped in love.
To love him is that the sea is hard to be overcome, but Wushan is not a cloud.
Leaving her, it's the sorrow of each other, it is better to forget each other in the rivers and seas.
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