Wes Anderson is an artist

Dusty 2022-04-22 07:01:03

Wes Anderson's movies are not long. When you look at it like you're admiring a work of art, you see the whole first from a distance, and that's Wes Anderson's style. Symmetrical composition, 90 degree pan.

Get a little closer and you'll see a quarter of the art painting, just like the chapters in the movie.

From the beginning to the end of the movie, you will feel that there is no climax, and the story has been quietly told, and it is told fluently with that unique scheduling. It seems that in the process, you will be like a child listening to a bedtime story. Always looking forward, always asking questions. That is the unique viewing experience reflected in his works.

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Extended Reading
  • Eduardo 2022-03-24 09:01:15

    Needless to say, the excellent degree of the film, Wes Anderson has reached another peak of his own. The composition, format, camera, lines, characters, narration are all extremely perfect, funny, nostalgic, warm, black... I admire this kind of film very much, but I can't fall in love with it from the bottom of my heart. For me, it is too perfect and exquisite, it can almost be offered up. On the contrary, it is not as natural and casual as Anderson's previous RUSHMORE, Fox, and Yuesheng.

  • Cheyenne 2022-04-24 07:01:02

    This is a retro film with beautiful pictures, a cultural film about World War II, a film directed by an author with a very personal style, a formal film with a closed mirror movement composition, a structured film with four-layer space narrative, and a star-studded performance film. You must watch the detailed film with the end credits, and pay tribute to everyone who participated in the completion of this film. I am a fanatic of formalist films, and use parallel sentences to express excited obsessive-compulsive patients.

The Grand Budapest Hotel quotes

  • M. Gustave: How does one come by front row aisle seats for a first night at the Opera Toscana with one day's notice? How does one arrange a private viewing of the tapestry collection at the Royal Saxon Gallery? How does one secure a corner table at Chez Dominique on a Thursday?

    [to Ivan, on the telephone]

    M. Gustave: Ivan, darling, it's Gustave, hello!... Well, I was until about five minutes ago. We've taken it upon ourselves to clear out in a hurry, if you see what I mean... Well, through a sewer, as it happens... Exactly! Listen, Ivan, I'm sorry to cut you off, but we're in a bit of a bind. This is an official request. I'm formally calling on the special services of...

    [Title card: THE SOCIETY OF THE CROSSED KEYS]

  • M. Gustave: I'm not angry with Serge; you can't blame someone for their basic lack of moral fiber. He's a frightened little yellow-bellied coward. It's not his fault, is it?

    Zero: I don't know, it depends.

    M. Gustave: Well, you can say that about most anything, "it depends". Of course it depends.

    Zero: Of course it depends, of course it depends.

    M. Gustave: Yes, I suppose you're right; of course it depends. However, that doesn't mean I'm not going to throttle the little swamp rat.