Wes Anderson's movies are not long. When you look at it like you're admiring a work of art, you see the whole first from a distance, and that's Wes Anderson's style. Symmetrical composition, 90 degree pan.
Get a little closer and you'll see a quarter of the art painting, just like the chapters in the movie.
From the beginning to the end of the movie, you will feel that there is no climax, and the story has been quietly told, and it is told fluently with that unique scheduling. It seems that in the process, you will be like a child listening to a bedtime story. Always looking forward, always asking questions. That is the unique viewing experience reflected in his works.
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