The visual impact of the explosion made me take back the sentence "original works are always greater than or equal to film and television"

Cheyanne 2022-04-21 09:01:13

As soon as I opened it: Damn, why did I choose a black and white movie? At the time, I knew it wasn't that simple. First of all, on the whole, the three paragraphs of the story are pieced together, which is extremely delicate. After each paragraph ends, people are still unsatisfied but hungry for the next one. I really like this format! And it was before Savage Tales! Then, a large number of voiceovers are combined with the performances of the characters, giving people a hazy feeling of being self-substituted but detached from the characters, and it is refreshing, which is wonderful! The visual effects are even more stunning! ! ! Black and white tones are matched with various colors to create a strong contrast: the red of blood and lipstick, the yellow of the villain, the blue and green of the pupils. Coupled with the switching between the real picture and the black and white silhouette, it is so handsome, so handsome! ! ! Also, under the banner of violence, the result is far beyond violence, all kinds of blood make people tense but can't stop! ! ! The above-mentioned unique features truly reflect the meaning of the original remake! If I could express the contents of a book in unimaginable footage, I wouldn't say the words "the original is greater than or equal to the movie". But the negative examples account for the majority. Even the well-reviewed Game of Thrones, after being shocked by the original game of Thrones, watched the drama version. In the original book, the wolf who is waist-high with a strong man found a new home for Crayon in the play. Xiaobai's relatives come over? A bit disappointed. Regarding sin city, I will read the original book again and feel the beauty of the complementarity between the original book and the film and television.

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Extended Reading

Sin City quotes

  • [Hartigan is on his way to go save a girl from a rapist]

    Bob: I'm gonna get on the horn and wait for back-up. We're gonna wait for back-up!

    John Hartigan: Sure, Bob. You'll call for back-up. And we'll sit on our hands while that Roark brat gets his sick thrills from victim number four. Victim number four! Nancy Callahan. Age 11. She'll be raped and slashed to ribbons. And that back-up we're waiting on will just happen to show up late enough to let Roark get back home to his U.S. Senator daddy and everything will be fine until Junior gets the itch again.

    Bob: Take a deep breath, Hartigan. Settle down and think straight. You're pushing 60. You've got a bum ticker. You're not saving anybody.

    John Hartigan: You've got a great attitude, Bob. You're a great cop. A real credit to the force, you are.

    Bob: Eileen's home waiting for you. Think about Eileen.

    John Hartigan: Heck, Bob. Maybe you're right.

    Bob: I'm glad to hear you're finally talking sense!

    [Hartigan punches Bob in the face]

    John Hartigan: [narrating] Hell of a way to end a partnership. Hell of a way to start my retirement.

  • Cop: Sir! There's no sign of the target.

    Marv: Here's a sign.

    [comes up behind cop and swings hatchet into the cop's crotch]