In general, movies based on XXX are never that bad, the script is there. And this one is more special because it is based on comics. So it is not surprising that there are only black and white colors from beginning to end, and other colors that occasionally appear have their own special meanings.
At the beginning, what attracted people's attention was the handling of the shots and the layout of the screen. It was a very typical comic format, especially the shadow on the brick wall. I was even a little dissatisfied with whether the director had borrowed too much from the comics. You don't have to use your brain anymore...
but soon, the graphics are no longer noticeable because the plot is so clever. If the first two lines are still a little confusing, then the third main line begins to bring people into the play. The ugly and huge Marv kills without blinking, but has a pure heart. Just because of a little bit of kindness given by others can be life and death for them. Of course, that's insignificant, but he never got it; and everyone in this movie won't die unless they're smashed to pieces... And when Marv's sideline ends, it's Dwight. Here the film's theme is most fully explained - why Sin City is filled with so much bloody violence, deception and sex, because of the collusion of the police and the underclassmen. The strength of the women in a magnificent slaughter was vividly displayed, as well as their graceful figure and angelic appearance. After a great action movie, it's back to the front sheriff branch. This is a more touching story, with typical positive characters taking place in this filthy city and becoming more and more noble. In the end, everything seemed to be over, but suddenly it turned back to the very beginning of the line. It turns out that these N lines are all connected together.
I really love the way the film is presented: the muttering throughout the room. We fully understand the protagonist's mind, so easily into the play. The way of survival is like an anime game, and the action scenes are addicting. The protagonists all appear as tall heroes, simple and pure, without thinking about what is right and what is wrong, so they can focus on the development of the plot and the performance of the picture. The director wanted the effect to be achieved.
In the end, the background music is just right, and it works well with the movie, but why can't I find an instrumental version of Cells...?
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