Mentor Fletcher is the stumbling block and devil in Andrew's successful journey

Lysanne 2022-04-23 07:01:06

Mentor Fletcher is the stumbling block and demon in Andrew's successful journey. He is deliberate and intends to destroy Andrew's artistic future and life with his own hands, causing him to sink into the dark lower level of hell. It is Andrew's own brilliance of human nature such as kindness, sincerity, persistence, bravery, integrity that saves and achieves himself, and most of the biggest understanding and support from the outside world is made by his father, silently paying attention, beating the head, hugging in time, etc. . Fletcher is at most objectively the sharpening stone of Yucheng Andrew, just like the sharpening of mussels by gravel.
The breakup of Andrew and his girlfriend Nicole is a matter of time, but the main reason is not always as Andrew said. His girlfriend is not a stumbling block in his career journey. Instead, the intimate and warm emotions are the wings on top of his career and the times of depression and hesitation. A safe haven and a healing place for Andrew, just like the meaning of Andrew and his father's close and sincere father-son relationship to Andrew, as time goes by, he will naturally understand and find his own soulmate.

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Extended Reading
  • Carli 2022-03-26 09:01:01

    It is disgusting to beautify Fletcher who, because he holds power (even if his power comes from his own talent and hard work), plays with everyone he can reach. Looking at the Fletcher Remediation Band, it’s similar to sharing with many local tyrants and entrepreneurs in the circle of friends that counts employees on the topic of leadership. His music room band is not stronger than our township enterprises because of his artistic status.

  • Winfield 2022-03-25 09:01:05

    "I know you don't care/because of a lot of unrealistic encouragement/mostly from friends with wine and meat/or distant relatives"

Whiplash quotes

  • Poster of Buddy Rich on Andrew's wall: IF YOU DON'T HAVE ABILITY, YOU WIND UP PLAYING IN A ROCK BAND

  • Terence Fletcher: I don't think people understood what it was I was doing at Shaffer. I wasn't there to conduct. Any fucking moron can wave his arms and keep people in tempo. I was there to push people beyond what's expected of them. I believe that is... an absolute necessity. Otherwise, we're depriving the world of the next Louis Armstrong. The next Charlie Parker. I told you that story about how Charlie Parker became Charlie Parker, right?

    Andrew: Jo Jones threw a cymbal at his head.

    Terence Fletcher: Exactly. Parker's a young kid, pretty good on the sax. Gets up to play at a cutting session, and he fucks it up. And Jones nearly decapitates him for it. And he's laughed off-stage. Cries himself to sleep that night, but the next morning, what does he do? He practices. And he practices and he practices with one goal in mind, never to be laughed at again. And a year later, he goes back to the Reno and he steps up on that stage, and plays the best motherfucking solo the world has ever heard. So imagine if Jones had just said, "Well, that's okay, Charlie. That was all right. Good job." And then Charlie thinks to himself, "Well, shit, I did do a pretty good job." End of story. No Bird. That, to me, is an absolute tragedy. But that's just what the world wants now. People wonder why jazz is dying.