In other words, I will definitely choose to fight, because my survival confidence is never so strong that I don't need any reason, and the idea of survival will definitely be consumed by waiting.
The idea of survival as a pianist is very powerful. In the face of the hopeless and hopeless situation, he stubbornly chose to live in a helpless way. . .
A fragile life can be inferior to anything, but it can also make a stubborn one inferior to anything. It is reasonable to choose a suicidal counterattack when there is no idea left, or when the enthusiasm is surging. Of course, the protagonist in the film escapes the struggle because of Choi Nuo. But in the face of a hopeless life, the inertia of his life that he never gave up still shocked me completely.
As far as the film is concerned, the blandness can be said to be a real performance, but it can also be said that it is possible because of him, and it is real as his personality. Life goes on in desperation, even sadness is strong. . .
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