The ending is too exaggerated. . .

Milo 2022-04-22 07:01:01

Arranging him to die in the end is logical, but TM is too exaggerated, so that Sosa always arranges only troops lurking near Tony's mansion to kill him, even if there are a few killers, a team of 2 or 30 people All dispatched. . . On the contrary, there are less than 10 people in the entire mansion on Tony's side? In the end, Tony killed 10 people by himself? In order to express the effect, there is no need to exaggerate it like this. No matter how good the ending is, I will give 5 stars.

In addition, the rhythm of the continuous jumping in the film is very appealing to me, not procrastination, and always maintain a certain high rhythm, making a huge energy gradually impossible The man who controls his scar face is so well portrayed

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Extended Reading
  • Ludwig 2022-03-24 09:01:02

    This movie almost laid the foundation of the entire American gangster film, and even affected subsequent Hong Kong movies. Even the tribute and setting can be seen in the vulgar novel. Al Pacino’s interpretation simply incorporates the essence of American patriarchy in the 1980s into the role of Tony. Of course, Miami is the epitome of American desire and even lewd dreams. American psychology is really interesting and vulgar. , Ambition, loyalty, money power, love, drugs, crime. It seems that by mixing all the elements together, they can call their ideas romantic, which is very incomprehensible and reasonable. After all, how can a nation built on sin and black money be able to breed a noble and proud nation Well, the so-called American romance is nothing more than Artificial Climax that is a mixture of lust, extravagance, arrogance and ignorance. (It’s a miracle that Tony didn’t die of overdose in the end. It’s really too drama to sprinkle and smoke drugs like flour)

  • Jovanny 2022-03-22 09:01:02

    The character setting of the protagonist or the whole script is boring

Scarface quotes

  • Tony Montana: [watching flamingos on TV] Manny, look at the pelican fly. Come on, pelican!

  • Tony Montana: Every dog has his day, huh, Mel?

    Mel Bernstein: I told him. It didn't make any sense, clipping you when we had you working for us. He wouldn't listen. He got hot tonight, about the broad, you know? He fucked up.

    Tony Montana: You too, Mel. You fucked up.

    Mel Bernstein: Don't go too far, Tony.

    Tony Montana: I not, Mel, you are.

    [Tony shoots Bernstein in the gut; he gasps and groans]

    Mel Bernstein: Fuck. You can't shoot a cop!

    Tony Montana: Whoever says you was one?

    [Tony leans forward, aiming the gun at Bernstein]

    Mel Bernstein: Wait a minute! You let me go, I'll fix this up.

    Tony Montana: Sure, Mel. Maybe you can hand out yourself one of them first class tickets to the Resurrection.

    Mel Bernstein: Fucking punk. Son of a bitch.

    Tony Montana: [stands up] So long, Mel, have a good trip.

    Mel Bernstein: Fuck you!