Write your own most direct understanding from the most intuitive appreciation point of view.

Alvena 2022-04-22 07:01:01

Write some of the most non-professional and direct perspectives from the perspective of appreciating movies: 1. The idea of ​​human nature being evil is first presented most intuitively in the movie: In addition to the setting of the movie, a group of gangsters do all evil, and there are several places such as when Alex appears When he was in prison, he was found to be abandoned by his family; his accomplices who used to commit crimes with Alex asked him to take the blame at a critical time. Obviously, the nature of his previous crimes was similar, but his accomplices somehow got decent police jobs? This inevitably makes people doubt the rationality of social legality and justice. There is one last point, returning to the cruelty of the literati (the writer's revenge), killing people without weapons, but starting from a person's psychology to slowly destroy a person's spiritual will. The destructiveness of gangsters is the most obvious violence on the surface, while the aggressiveness of writers and intellectuals is deep. 2. Distorting one's nature from one extreme to the other, only to find in the end that it is taking one from one kind of destruction to another. The form is different, the path is different, but the final result is the same, both are victims of violent machines. In the end, the essence of a person is difficult to change. No matter how many methods are used and how many drugs are applied to him, in the end he still presents the most essential state of his heart. 3. Finally, there are some political metaphors: it pierces the pretense of human rights under the state machine system, and explains the hypocrisy of politicians' benevolent surface, from the police, to chemical treatment, and finally to the government figures who come forward to offer favors to Alex. Alex only exists as a tool in the whole process. In prison, he is called a digital code. In the drug experiment, he is called a subject (experimental subject), and in the end, he is more directly called an instrument, because the people do not trust the government, Alex. Here as a simple government PR, the most direct tool to save the reputation. Alex was completely cold-tooled and alienated by the entire society, and his identity as a human object completely disappeared. This better returns to the hypocrisy of the so-called human rights, which only uses the surface as a guise, while the real humanistic spirit is completely lost.

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A Clockwork Orange quotes

  • Alex: Missus! It's a matter of life and death!

  • Alex: Hi, hi, hi, Mr. Deltoid. Funny surprise, seeing you here.

    P.R. Deltoid: Ah, Alex boy! Awake at last, yes? I met your mother on the way to work, yes? She gave me the key. She said something about a pain somewhere, hence not at school, yes?

    Alex: A rather intolerable pain in the head, brother sir. I think it should be clear by this after lunch.

    P.R. Deltoid: Mmm. Or certainly by this evening, yes? The evening's the great time, isn't it, Alex boy? Hmm?

    Alex: Cup of the old chai, sir?

    P.R. Deltoid: No time, no time, yes. Sit, sit, sit!

    Alex: To what do I owe this extreme pleasure, sir? Anything wrong, sir?

    P.R. Deltoid: Wrong? Why should you think of anything being wrong? Have you been doing something you shouldn't, yes?

    Alex: Just a manner of speech, sir.

    P.R. Deltoid: Yes. Well, it's just a manner of speech from your post-corrective advisor to you that you watch out, little Alex, because next time, it's not going to be the corrective school anymore. Next time, it's going to be the barley place and all my work ruined. If you've no respect for your horrible self, you at least might have some for me, who've sweated over you. A big black mark, I tell you, for every one we don't reclaim. A confession of failure for every one of you who ends up in the stripy hole.

    Alex: I've been doing nothing I shouldn't, sir. The Millicents have nothing on me, brother. Sir, I mean.

    P.R. Deltoid: Cut out this clever talk about Millicents. Just because the police haven't picked you up lately doesn't, as you very well know, mean that you've not been up to some nastiness. That was a bit of a nastiness last night, yes? Some very extreme nastiness, yes? A few of a certain Billy Boy's friends were ambulanced off late, yes. Your name was mentioned. The words got through to me by the usual channels. Certain friends of yours were named also. Oh, nobody can prove anything about anybody, as usual. But I'm warning you, little Alex, being a good friend to you, as always, the one man in this sore and sick community who wants to save you from yourself!

    [pause]

    P.R. Deltoid: What gets into all? We studied the problem. We've been studying it for damn well near a century, yes, but we get no further with our studies. You got a good home here. Good, loving parents. You've got not too bad of a brain. Is it some devil that crawls inside of you?

    Alex: Nobody's got anything on me, brother sir. I've been out of the rookers of the Millicents for a long time now.

    P.R. Deltoid: That's just what worries me. A bit too long to be safe. You're about due now, by my reckoning. That's why I'm warning you, little Alex, to keep your handsome young proboscis out of the dirt. Do I make myself clear?

    Alex: As an unmuddied lake, sir. As clear as an azure sky of deepest summer. You can rely on me, sir.