A good movie doesn’t need to address the grand and serious topics that several monographs can’t explain; the less you say, the less vague it is, the less timid it will be; the expression of concern can resonate. It just needs to be thoughtful. This film did it - with the help of excellent villain characters, as well as the creation of the supporting role of Vision (Vision) with Ultron AI and AI.
Ultron is evil, but lonely and vulnerable inside, and Vision is wise, calm and compassionate. Each of their images has at least two sides, which is a starting point to make them three-dimensional and plump. Ultron is like an angry young man who is a literary youth at heart. He was cast into the fate of protecting the world before he was born, which just fits his angry youth's taste, but he has a sense of justice but no love, so he is destined to make this The road becomes a bad road.
Ultron's evil is not that kind of ferocious evil, but a feminine, cynical tone (strange, why does cynical always seem feminine?), just like a big-minded, serious thinking, but surprised to find the ugly of this world The cruel truth, and thus the deeply disappointed, lost, and miserable young man, only he did not become a cynic, but a revolutionary. There was no hope of building a new world in his revolution, and if there was, he would probably spend a little more energy thinking about rebuilding, or at least a vision. There was nothing but hatred for the old world in his revolution.
This hatred, focused on his parents/creators, is also reasonable. After being disappointed with the world and the future, the thought of "Why did you give birth to me" is commonplace, even if it is not normal. If you understand the plot "philosophically/(pseudo)psychologically" in this way, you can avoid entangled with an unreasonable point: why do you have to find trouble with the reunion, and things like destroying the earth should quietly enter the village , Don't shoot, it will give the intelligence officers of the Fulian a headache - although the movie can't be made as "the Fulian has no knowledge, Ultron has destroyed the earth, and the whole play is over", but Ultron, you have to work hard. To not regret it.
(Similarly, at the end of The Matrix 2 and The Matrix 3, it doesn't matter whether the matrix is nested outside the matrix, or whether Neo has learned to wirelessly access the matrix - the director just wants to show a few philosophical concepts. Although the first explanation may be more profound in this regard, and the director (it is said) was not thinking of the first, but there is no need to worry about setting it right)
Ultron thought about "how to protect human beings" and got The answer... In fact, he didn't get the answer, but only got the conclusion that "human beings should not continue to exist", and full of hatred for human beings. But if you only look at the surface and accept what Ultron said - only evolution can protect human beings, those who cannot evolve will become extinct, and those who have evolved will enter the new world as human beings, so human beings will receive ultimate protection. (Although in fact, only Ultron himself can evolve... Once again, it proves that Ultron never thought of building a new world at all, he just wanted to destroy the old world.)
Starting from "how to protect human beings", and finally arrived at "how to extinction" Humans", which is probably the harshest variant of Asimov's zeroth law. Asimov's third law is to protect individual people. In the base series, Ji Daniel Oliva deduced the zeroth law: to protect individual people, we must first protect all human beings. The result is Gaia, which merges the consciousness of the individual human beings, the individual disappears, and the "person of the individual" is actually extinct. It's not surprising that there was such an idea in the context of the left-wing ideology of that era. It is also thanks to this left-wing perspective that we have a work with such a grand worldview.
I've used a lot of me against a lot of you - another good image of loneliness. The first depiction of loneliness that shocked me was to use the joy of the crowd to set off the loss of the protagonist.
The fact that this antagonist can stand up is also due to their marginal status: the length of the film cannot be reserved for the villains and supporting characters (and they are suspected to be villains when they appear), no, obviously there are very few, especially the inner drama It can only be arranged in a stitched and needled manner - this instead creates the effect of blank space, and seeing flowers in the fog generally adds infinite charm to them. If you really give an hour to shape these two images, maybe it will collapse. For example, the emoji "^__^" looks cute, but to expand it into a complete human shape with a brush, I am afraid that only an artist can do it well.
These two images are not particularly unprecedented and novel, so they should be able to draw inspiration from many works to show the most typical and eye-catching lines and silhouettes (screenwriters who have read ten thousand volumes of books do not even need to turn over the book or Memories, such a stick figure can naturally float in my mind), and they can stand up on their own. Filling in the details is a test of real creativity and real sophistication.
* All kinds of popcorn chicken, tranny.
The rottenness of the speed chicken is comprehensive rottenness; even the "rhythm" part of the commercial blockbuster has become a routine. The film, to be among the classic and necessary "action scene innovation" is also missing. Maybe some viewers just need a lot of sleep points to watch a movie comfortably. It is too difficult for them to mobilize the nervous system (including the optic nerve) throughout the two hours. Anyway, I almost fell asleep during a battle plan discussion in Super 7. Or maybe such a mentally retarded battle plan + so blatantly pleasing the weak audience (depicting the high-ranking white old man as a stupid jester to set off the height of the protagonists from the bottom of the city who rely on their cerebellum to conquer the world) The best way to show off to their G spot. The subject matter is also a coincidence. This kind of audience can't imagine another world. You have to put the story on the streets of the city they are familiar with. As for the rewards, it must also be familiar to them, and they must also be familiar with the sports cars, hot girls, and more Brotherhood.
Although Transgender is rotten, although it wastes childhood, it has contributed a unique mechanism as a visual effect blockbuster. At first glance, the body composed of fine parts subverts the old style of painting, but it really has an industrial beauty after taste. But like Super 7, Transgender made the original spiritual entertainment of "meaning yin" too straightforward, and turned it into "hand yin". This is the essence of their low value, and it is also the secret of their box office success. The little human boy who has only appeared in the animation for a few episodes is adapted into the protagonist, and even a little boy who might have been good in the animation has become stupid and weak to facilitate the substitution of heroes from all walks of life in the mobile world. Hot girl... There are so many novels from the starting point that I can't finish reading them in my life. Do I need you to do it for me? However, the Transgender Kings series has been so successful that people have to sigh about the laziness of those audiences - if you want to substitute, can't you imagine that you are a Cybertronian, and you have to write the protagonist as a loser like you before you can substitute? No wonder you are a loser.
Yes, to repeat, the reason why the chickens are so bad is the same reason why they are popular, that is, "it's easy to hand in."
The sequels refer to Terminator and Jurassic World. These two series are really a pair of brothers and sisters. If Terminator 2 is before 1, then there can be a good sequel, and Jurassic Park is not a good sequel. Terminator 2 was also very popular in the mainland video tape market back then. It was translated as "Doomsday". With the height of 2, it would be worthy of her to use this name as a proper noun.
It's a coincidence that the classics in these two series (each has...one...let's just type their names to save words....) are horror films to some extent (actually the end 1 is more like a horror movie).
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