Spinning, dark, weightless, gasping, abruptly stopped background music. It is unimaginable that the director used his life's experience, experience and thinking, exhausted all the technical fields he had been involved in, tried all kinds of camera positions, lighting, and painstakingly arranged plot twists and turns and endless editing. effect, or is it a stroke of genius who knows all possible effects in advance? Soundtrack, photography, lighting, special effects, and other technologies that the film industry can do, it has almost reached the pinnacle of this era.
Such a thing is as terrifying as the boundless universe.
As for the maternal metaphor, it is inexplicable to me. Rebirth and self-salvation, such elements are not enough to make a movie transcend an era. What can transcend an era is to place the audience on a grand scale measured in light-years, and feel the terrifying beauty in the vastness, as well as the loneliness and helplessness, the insignificance and powerlessness of human beings that have never been experienced under this magnificent beauty. . It is precisely because of such fear and helplessness that the scene of finally returning to Earth can have such a shocking appeal. More importantly, it makes people have to look from the world to space and rethink the word "meaning". Milky Way, black hole, corona, red giant, white dwarf, thruster, solar panel, the words blurred out of sight. The epic march to space has come to an end, and perhaps the few moon landings that have been and are now are the limits of human exploration of the universe. We are locked in a lonely inner world with the earth spinning, and we are performing endless reincarnations. The glittering, the heavy, the ones that require imagination to complete the contours, have fallen out of time, and there is no room for them here.
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