addicted

Jeff 2022-04-19 09:01:04

It's like the eye on the poster, it's uncomfortable at first, and then addicting.

Harry is addicted to drugs and breaks his left hand

Dillon was addicted to drugs and went to jail to ruin half of his life

Mary became addicted to drugs and became a sex slave

Sarah is addicted to drugs and can't extricate herself from being addicted to TV

They all fell victim to addiction, and the different dreams they had were shattered by addiction, Harry wanted to be with Mary forever, Dillon missed his mother and even felt maternal love from his girlfriend, Mary wanted to open a clothing store , Designing her own clothes, Sarah wants to lose weight so she can be on TV.

It is said that this is an anti-drug propaganda film. I think it has a bit of the meaning of "Trainspotting". The life of a drug addiction is different. In "Requiem", people did not resist in the face of drug addiction. In "Trainspotting" Even if they said they were shit, they tried.

The biggest feature of the film is the godlike editing and soundtrack. The montage splicing challenges the viewer's visual bottom line again and again. The tense but not fancy soundtrack renders a weird and eccentric atmosphere, proclaiming that this group of drug addicts 's fate.

In the three chapters of the movie "summer", "autumn", and "winter", there is no spring that represents hope, which can be described as despair specially arranged by the director, not only for the characters in the film, but also for the viewers.

View more about Requiem for a Dream reviews

Extended Reading

Requiem for a Dream quotes

  • Marion: Getting the money's not the problem, Harry.

    Harry Goldfarb: Then what's the problem?

    Marion: I don't know what I'm going to have to do to get it.

  • Harry Goldfarb: [Harry has just found out that Sara is on diet pills] Does he give you pills?

    Sara Goldfarb: Of course he gives me pills. He's a doctor!

    Harry Goldfarb: What kind of pills?

    Sara Goldfarb: Uh, uh, a blue one, a purple one, an orange one...

    Harry Goldfarb: I mean, like, what's in 'em.