Jouny Posted on: 2011-01-22 22:51
13.JAN.22ND 2011 NO.67
is another biopic, and it is also a movie I suddenly wanted to watch, so I just downloaded it and watched it I only knew it was a biographical film about a mathematician before
I watched it, and I thought the film would be like the old way I thought, telling how he succeeded and how hard the road was. The result was out of my own. Surprisingly, or my guess is too low-level, how could it possibly win the Oscar for best picture if you follow such an old routine?
The first 20 minutes introduced such a character, his poor communication led to later illness, he The love of mathematics brings achievements and aggravates the disease. Yes, the film turns out to revolve around the world of a mentally ill person at the end.
At once, many other things come to mind, first of all, the black swan, which is also too loving In the end, his career fell into fantasy and reality. The second is the confinement island, which is also the fantasy world of the mentally ill. The
director's method is to deceive the audience first and then solve the mystery in the middle, and then the audience does not know to believe it. Who, and then end the story with the development of the story. This way is especially easy to get people into the plot. At first I thought that what happened between him and his roommate would lead to a series of friendships, and then I realized that it was just a fiction of the protagonist When I was a character, I really felt deceived. Then I started to sympathize with this character.
It turns out that people who are very successful in some aspects must have great flaws in other aspects. Almost all biopics tell stories like this. Although it may be to make the movie more dramatic, it will not deviate anywhere in life.
The movie has been talking about his old age, he is still participating in mathematics research, although he has not cured his disease, but has been able to I restrained myself. I got a Nobel Prize in the end.
Biopics are really endearing, no wonder the Oscars are always for biopics. First is truth, then warmth, and finally a happy ending. It fits the public's standard of appreciation. I also like biopics, just because of that one The real existence makes me feel that the movie is so close to me, like my own life, and I can easily integrate into it.
And Russell Crowe's performance is very powerful. If he hadn't just won the golden statue last year, it is very likely that he also I'll get it with this one. But I really didn't expect the FLOP after that, so come back with a good film soon.
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