On the 8th screening day of the main competition unit of the 16th #, Faroe Island Film Festival will bring you "Mad Max 4: Fury Road", please see the brave warriors on the front line who break free from the chains and fight on the road to break through everything Open the front evaluation!
Pours full of Zhao +:
Cool and it's over.
Fruit trees:
This time, it's heavy metal, and the visual effects are good.
Poem to Edlin:
The apocalyptic atmosphere is desolate and explosive, and the editing is awesome.
Prometheus:
To TMD awesome! Why didn't I watch it in 17 years?
George:
Real tears, ask me why I cry, that is because it is so handsome.
The heart is a lonely hunter:
The master of commercial films, the peak of the wasteland apocalypse, from the beginning to the end.
Mozart Lumos:
Underneath the gorgeous surface is a simple social conception, and the black and white overexposure blinds my eyes.
Ball candy:
The rhythm is fast, the audio-visual burst, there is no wasted drama, and it is hearty. The feminist awakening at the end of the wasteland is also exciting. Electric guitars are kind of funny. The emperor is handsome!
RIVER:
After reading it, I want to say, George Miller Bunker! The genre films with distinctive authorship have been criticized for another grand military parade in the dying Hollywood.
I know a little about her:
Once upon a time there was a desert, once there was a green space, once there was a man, and there was a woman, and then together they walked from the desert to the green space, and then from the green space to their homeland. They lived and died together, they fought together. In the end, the man walked out, and finally, the woman stayed. In the end, the man and the woman looked at each other. What did they see in their eyes? What do you think that would be?
Polaris. J:
After the wedge was broadcast, the audience applauded, and there were several waves of applause and cheers at the end! It was the first time I watched the movie and the audience cheered, it was so cool and stylish! I'm going to give it 10,000 stars! What a magical movie this is! How can such a movie exist... so cool! beyond my imagination! One of my favorites. No pee spots at all, more and more energetic! "The Fast and the Furious" is scum by comparison.
RyanRyqn:
It can be said that this kind of film makes the image move. All the factors of rhythm, music, editing, and photography make the film full of blood. The director's style is not unique, but also completely different from the boring routine of Hollywood blockbusters. All kinds of unexpected inspiration bombard the audience's expectations at any time. It can be said that it is the ultimate presentation of action movies. Movies aren't some kind of third-world boring directorial narcissism like "The Club of the Priests."
Pinsent:
Some of the routines in action films are all very new. In the 20th to 30th minutes, the action scenes against the sky have been filmed. The rhythm is refreshing and the style is sturdy. Timely slow down and pause and the music have a strong effect. The sense of rhythm, the characters are like chicken blood, and the literary drama is minimalist and effective, showing all the materialized human society in the apocalyptic wasteland. After making up for the first three films, I feel that in addition to the rapid progress in technology and service, the female part of this film is a breakthrough.
Cangshan ancient well empty to the moon:
I call it George Miller's version of "Flying Off the Mountains." The latter elevates the western films that were originally B-level films to A-level production, and gives them high artistic value; the first three films of "Mad Max" are B-level cult sci-fi, and in the fourth part Miller will The fusion of cult elements such as apocalypse, wasteland, drag racing, heavy metal, etc., endows the cult temperament to an A-level blockbuster, and controls the rhythm through precise lens language to bring a thrilling sense of refreshment. Different from the aggressiveness of "Guan", in the background of "MM4", where resources are exhausted, it is more realistic to grasp the one-acre and three-point land in front of you than to chase the unknown and ethereal oasis ahead.
Midnight no one:
It is extremely difficult to restart a classic IP that has been silent for 30 years, so that the spirit of that year is not only not outdated, but also has new vitality today. The technological innovation reflected by the progress of the times has greatly strengthened the plasticity of audio-visual, but it has not been reduced to a theme park only for viewing. (Undead Joe, Masked Man, Albino Slaves, and Group Portraits of Fertility), both in the same vein as the previous works, but also contributed more powerful creativity. It's still the underground kingdom in the crisis of the end times, it's still the mad and manic human fighting, there's still the collision of cold weapons and heavy metals, there's still the high-energy suffocating racing chase, and even the matriarchal social pattern that surfaced in the third part is here. Feminism officially grew into a roaring fire. The more important meaning of the fourth part to me still lies in this "integration" attribute, but it is difficult to connect it with the first three parts. After thinking about it, I think the tone has changed. It is completely grand and tragic, dispelling the strong emptiness and doubt that once touched me the most.
Hethang:
Undoubtedly the best of the four and one of the best films of the festival. To reopen an IP that has been in dust for 30 years and scatter more dazzling light, George Miller's game of chess is wonderful. First of all, it is technically eye-catching enough. With the cooperation of the advanced level that has been developed to this day, the core of the series is more vivid and pure. Photography, editing, art, modeling, visual effects, sound effects, and soundtracks are all flawless. The fighting in the apocalyptic wasteland is perfectly presented in front of the audience, making people addicted.
More worthy of praise is the content of the film. This new work is in the same vein as the best second part of the previous trilogy, and thoroughly expresses the persistence of the desire for freedom and belief. What is more progressive is the portrayal of female images. It gets rid of the idea of straight male cancer that is too much in the image and allows men and women to fight together on the same level. It also reflects the strongest voice and ultimate goal of the era, which is admirable. Yu director's absolute enlightenment. As for the actors, everyone likes them. Sweet Soup will always be my TOP 1.
#FIFF16# The 8th day of the main competition unit will be released later, please wait and see!The 8th screening day of the main competition unit of the 16th # Faroe Island Film Festival will bring you "Mad Max 4: Fury Road", please see the brave warriors on the front line who break free from the chains and fight on the road to break through everything Open the front evaluation!
Pours full of Zhao +:
Cool and it's over.
Fruit trees:
This time, it's heavy metal, and the visual effects are good.
Poem to Edlin:
The apocalyptic atmosphere is desolate and explosive, and the editing is awesome.
Prometheus:
To TMD awesome! Why didn't I watch it in 17 years?
George:
Real tears, ask me why I cry, that is because it is so handsome.
The heart is a lonely hunter:
The master of commercial films, the peak of the wasteland apocalypse, from the beginning to the end.
Mozart Lumos:
Underneath the gorgeous surface is a simple social conception, and the black and white overexposure blinds my eyes.
Ball candy:
The rhythm is fast, the audio-visual burst, there is no wasted drama, and it is hearty. The feminist awakening at the end of the wasteland is also exciting. Electric guitars are kind of funny. The emperor is handsome!
RIVER:
After reading it, I want to say, George Miller Bunker! The genre films with distinctive authorship have been criticized for another grand military parade in the dying Hollywood.
I know a little about her:
Once upon a time there was a desert, once there was a green space, once there was a man, and there was a woman, and then together they walked from the desert to the green space, and then from the green space to their homeland. They lived and died together, they fought together. In the end, the man walked out, and finally, the woman stayed. In the end, the man and the woman looked at each other. What did they see in their eyes? What do you think that would be?
Polaris. J:
After the wedge was broadcast, the audience applauded, and there were several waves of applause and cheers at the end! It was the first time I watched the movie and the audience cheered, it was so cool and stylish! I'm going to give it 10,000 stars! What a magical movie this is! How can such a movie exist... so cool! beyond my imagination! One of my favorites. No pee spots at all, more and more energetic! "The Fast and the Furious" is scum by comparison.
RyanRyqn:
It can be said that this kind of film makes the image move. All the factors of rhythm, music, editing, and photography make the film full of blood. The director's style is not unique, but also completely different from the boring routine of Hollywood blockbusters. All kinds of unexpected inspiration bombard the audience's expectations at any time. It can be said that it is the ultimate presentation of action movies. Movies aren't some kind of third-world boring directorial narcissism like "The Club of the Priests."
Pinsent:
Some of the routines in action films are all very new. In the 20th to 30th minutes, the action scenes against the sky have been filmed. The rhythm is refreshing and the style is sturdy. Timely slow down and pause and the music have a strong effect. The sense of rhythm, the characters are like chicken blood, and the literary drama is minimalist and effective, showing all the materialized human society in the apocalyptic wasteland. After making up for the first three films, I feel that in addition to the rapid progress in technology and service, the female part of this film is a breakthrough.
Cangshan ancient well empty to the moon:
I call it George Miller's version of "Flying Off the Mountains." The latter elevates the western films that were originally B-level films to A-level production, and gives them high artistic value; the first three films of "Mad Max" are B-level cult sci-fi, and in the fourth part Miller will The fusion of cult elements such as apocalypse, wasteland, drag racing, heavy metal, etc., endows the cult temperament to an A-level blockbuster, and controls the rhythm through precise lens language to bring a thrilling sense of refreshment. Different from the aggressiveness of "Guan", in the background of "MM4", where resources are exhausted, it is more realistic to grasp the one-acre and three-point land in front of you than to chase the unknown and ethereal oasis ahead.
Midnight no one:
It is extremely difficult to restart a classic IP that has been silent for 30 years, so that the spirit of that year is not only not outdated, but also has new vitality today. The technological innovation reflected by the progress of the times has greatly strengthened the plasticity of audio-visual, but it has not been reduced to a theme park only for viewing. (Undead Joe, Masked Man, Albino Slaves, and Group Portraits of Fertility), both in the same vein as the previous works, but also contributed more powerful creativity. It's still the underground kingdom in the crisis of the end times, it's still the mad and manic human fighting, there's still the collision of cold weapons and heavy metals, there's still the high-energy suffocating racing chase, and even the matriarchal social pattern that surfaced in the third part is here. Feminism officially grew into a roaring fire. The more important meaning of the fourth part to me still lies in this "integration" attribute, but it is difficult to connect it with the first three parts. After thinking about it, I think the tone has changed. It is completely grand and tragic, dispelling the strong emptiness and doubt that once touched me the most.
Hethang:
Undoubtedly the best of the four and one of the best films of the festival. To reopen an IP that has been in dust for 30 years and scatter more dazzling light, George Miller's game of chess is wonderful. First of all, it is technically eye-catching enough. With the cooperation of the advanced level that has been developed to this day, the core of the series is more vivid and pure. Photography, editing, art, modeling, visual effects, sound effects, and soundtracks are all flawless. The fighting in the apocalyptic wasteland is perfectly presented in front of the audience, making people addicted.
More worthy of praise is the content of the film. This new work is in the same vein as the best second part of the previous trilogy, and thoroughly expresses the persistence of the desire for freedom and belief. What is more progressive is the portrayal of female images. It gets rid of the idea of straight male cancer that is too much in the image and allows men and women to fight together on the same level. It also reflects the strongest voice and ultimate goal of the era, which is admirable. Yu director's absolute enlightenment. As for the actors, everyone likes them. Sweet Soup will always be my TOP 1.
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