At first I thought it was another psychological film, but I didn't expect there to be ghosts. In the face of the fear of the unknown, I kept making hints in my heart, so that my friend yawned next to me and scared me... I have seen Bruce's "The Fifth Element", the little boy looks so serious in it It's a pity that it doesn't look good anymore when I grow up. The turning point that Mike has died is a good one, and it reminds me of many previous foreshadowings in an instant. But it's just a story, and it doesn't have much spiritual value.
Maybe the number of words is too many to handle. I tried it several times (ㄒoㄒ), put
the
link
. The basement door was opened.
Anna Clovis, dressed in a summer dress that showed her figure, hurried down the stairs charmingly.
She walked straight to the wine rack, slid her fingers over the label, and settled on a wine bottle with a smile on the corner of her mouth.
She picked up the bottle and turned to leave, but stopped. She stared at the chilly basement, suddenly feeling uneasy. She stood motionless for a moment, watching her breath turn into a thin mist in the cold air.
She walked quickly towards the stairs and trotted out of the basement.
(CUT TO)
2. INT. LIVING ROOM,
EVENING An empty wine bottle and some half-eaten Chinese food are placed on the coffee table in the living room.
"It's cold." Ana threw Malcolm a sweatshirt and put the wine on the table.
Malcolm took the sweatshirt: "That's a really good frame."
Malcolm Clovis, wearing a vest and no tie, was standing at the coffee table, looking at a mahogany frame. He looks in his 30s, with curly hair, intelligent eyes, a little squint from his long research career, and a charming, easy-going smile on his face.
"How much do you think such a delicate frame is worth?" He pulled on his sweatshirt and sat down on the sofa.
Anna sat down near Malcolm, smiled and said, "You talk like that Dr. Sue when you're drunk."
Malcolm: "Anna, seriously. I'm serious."
Anna put her arms around Malcolm's arm. Turning to the frame: "I think it's worth at least two hundred dollars. I'll read the content."
"Do I really look like Dr. Su?" Malcolm asked again.
Anna ignored Malcolm: "I commend Malcolm Colowe for his outstanding achievements and contributions to the field of child psychology and his efforts to improve the quality of life of countless children and their families..."
Malcolm picked up the glass and drank Taking a sip of wine, Anna smiled as she grabbed his glass and said, "You pay attention. . . . and his continued efforts to improve the quality of life of countless children and their families, the city is honored to present Marco, son of Philadelphia, Dr. Am Clovey - that's you - Professional Excellence Award. They call you the 'Son of Philadelphia'."
Malcolm: "Wow, we should hang this in the bathroom."
Ana turns to look at Marco Mu, his expression became serious.
Anna: "Tonight is important to us both because finally someone understands the sacrifices you made. You put everything second, including me, for the families they call them."
Anna stroked Marco lightly Mu's face. Malcolm grabbed Anna's hand and kissed it.
Anna: "It also proves that my husband is very talented. You teach those children how to be strong in situations that even adults can't bear. I believe these words are true."
Malcolm said affectionately: "Thank you."
They hugged and kissed tightly.
Malcolm (murmurs): "I want to drink with a glass."
Ana responded.
Malcolm: "I don't want to use a big round cup, and I don't want to use a kettle."
Anna laughed at him, and the two laughed at the same time, filling the room with laughter.
(cut in)
3. INTERNATIONAL SCREEN, BEDROOM, NIGHT
Anna and Malcolm appear at the door of the bedroom.
Malcolm reached out and turned on the bathroom light. The light illuminated Anna, who was standing aside. She jokingly took off her sweater and wriggled like a striptease.
Malcolm, inspired, also took off his jersey and tossed it aside.
Suddenly, Anna stood still in front of the window, looking down at the ground with a look of surprise.
Malcolm walked to Anna and saw a few pieces of broken glass on the ground. The wind blew in from the broken glass window, and the phone beside the window fell to the ground, making a very thin "beep" sound. He was shocked.
At this moment, a shadow flashed behind them and quickly disappeared.
Anna screamed. Malcolm turned hastily. The two stared at the bathroom at the same time: there was someone inside!
Malcolm walked slowly to the bathroom door. The first thing I saw was a pile of clothes on the floor of the bathroom. Then came a man. An unfamiliar, shirtless man was standing in the bathroom.
No one said a word.
The stranger was about 19 years old, drug addict, black eyes, protuberance, covered with bruises and scars. He crossed his hands on his chest, shaking slightly. There was a gray patch in his hair.
"Anna, don't move, don't make a sound." Malcolm spoke in a very calm tone, keeping his eyes on the stranger: "This is 47 Locks Street, you broke the glass and broke into the private residence..." The
stranger The man looked up for the first time, looked at Malcolm, and said, tremblingly, "You don't know anything..."
"There are no drugs or drugs here." Malcolm tried to persuade the stranger.
The stranger suddenly began to move forward, directly towards the door.
Malcolm backed away instinctively, tripping over the bed.
It was the first time that Anna saw a stranger at this time, and her face suddenly turned pale.
When the stranger saw Anna, he squinted at her, as if to see her heart, and cried and asked, "Do you know why people are afraid when they are alone? I know...."
Anna was alert: "What do you want?"
"I want him to promise me!" cried the stranger hysterically, turning to Malcolm.
Anna: "My God!"
Malcolm: "Do I know you?"
"Don't you know me, Doctor? You don't remember your patient?..." The stranger's eyes filled with tears.
Malcolm felt like he had been hit with a hammer, and was speechless for a moment.
Stranger: "… Downtown clinic, single parent family, possibly with mood disorders,"
recalls Malcolm.
Stranger: "...I was so scared. You said I couldn't face my parents' divorce. You were wrong."
Malcolm seemed to remember something.
"...Look at me now." The stranger started hysterical again: "I don't want to feel scared anymore..."
Malcolm: "Let me think about it." The
stranger slammed on the bathroom door frame: "I'll wait ten years for you I won't wait any longer!"
Malcolm: "Ben Feiken?"
Stranger: "Some people call me Freak."
Malcolm: "Ryan Sumner?"
Tears from the stranger His face fell: "I am indeed a freak, look at me."
Malcolm seemed to be inspired: "Vincent?" There
was a moment of silence.
Malcolm: "Vincent Gray?"
Vincent Gray had tears in his eyes.
Malcolm sighed, as if he had just come out of deep water: "Of course I remember you. Quiet, intelligent, compassionate, very compassionate."
"You forget me, and be damned. You abandoned me. "Vincent sobbed, and then said bitterly: "You gave up on me!"
Malcolm whispered: "Vincent, I'm sorry I didn't help you..." Malcolm stood up from the bed.
Vincent turned his head and walked to the sink.
Vincent: "...I'll try again. If you can give me another chance."
Vincent grabbed a pistol and shot Malcolm, then shot himself in the head.
Malcolm fell onto the bed clutching his stomach. Anna's sharp cry cut through the night sky.
Malcolm: "Vincent..."
Anna: "Don't talk. Shhh!"
(Fades out)
4. EXTERIOR, bench, PM
SUBTITLE: FALL. South City, Philadelphia.
Malcolm sat on a bench reading a handwritten document that read: "Vincent Gray, 10 years old, referral January 19, 1989."
The door across the bench opened and a boy stood at the door.
Malcolm quickly turned to the document: "Cole Hill, 8 years old, referred September 1998, divorced parents, extreme anxiety, withdrawn personality, possible mood disorder."
Cole Hill has a pair of black His big eyes seemed to see everything around him at any time. Brown hair, soft. The 8-year-old carefully locked the door, took out a pair of huge glasses from his schoolbag and put it on, looking ridiculous.
He went down the steps, looking around nervously, nervously.
Malcolm stood up, smoothed his shirt, and buttoned his jacket.
Cole ran at full speed down the street.
Malcolm was stunned for a moment, then packed up his documents and followed.
(cut in)
5. EXT, STREET, DAY
Malcolm stops at an intersection, looks for Cole and finds him running into a parking lot.
Cole slid through the empty parking lot and ran to a building. He pushed open the ornate door with all his strength and got in.
Malcolm looked up and saw that it was a Philadelphia church.
(CUT IN)
6. INT, CHURCH, THE
HUGE CHURCH IN THE DAY There are hardly any people.
Malcolm glanced at the church and found Cole crouching along the middle aisle.
Cole was playing with a group of green and brown plastic soldiers on the back bench, saying something inexplicable: "...De profundis clamo ad te, domine."
Cole felt someone, and he looked up to see Malcolm Staring at himself, his face turned pale, and he held a soldier tightly in his hand.
Malcolm: "Don't be afraid, Cole. I'm Dr. Malcolm Coloway."
Cole didn't move.
"...We were supposed to meet today, but I didn't make it, sorry." With that, Malcolm sat down. Cole put his soldiers on the back of the bench.
Malcolm: "In Europe long ago, people would seek refuge in churches."
"What were they hiding?" Cole sat down on the bench curiously.
Malcolm: "Mostly hiding from the bad guys, the bad guys who want to lock them up and hurt them...I noticed you don't have lenses on your glasses."
Cole: "It's my dad's. It's uncomfortable to have lenses. ."
Malcolm: "What did you just tell the toy soldier?"
Cole: "...De profundis clamo ad te, domine. That's Latin."
Malcolm noticed the scratches on Cole's wrist and Bruises, new and old: "Do all your soldiers speak Latin?"
Cole: "No, only one."
Malcolm frowned.
Cole: "Are you a good doctor?"
Malcolm: "Before. I got a certificate. The mayor gave it to me. It has expensive frames."
Cole put the soldier in his bag and stood Get up: "I'll see you again, right?"
Malcolm: "If you don't mind."
Cole turned thoughtfully and walked outside the church. Walking to the exit, Cole quickly took a small one from a pile of Jesus statues and put it in his bag.
Malcolm was stunned and didn't close his mouth for a long time.
(cuts in)
7. INT - Malcolm's House, Evening
Malcolm: "It's me." No one answers.
(cuts in)
8. INTERNATIONAL VIEW - DINING ROOM - IN THE EVENING
Malcolm walks into the dining room and sees only one set of cutlery on the table, with food left.
(CUT IN)
9. INT, BEDROOM, eve
Malcolm enters the bedroom. Only one reading light was on.
Anna lay on the bed and seemed to have fallen asleep. She was wrapped in a blanket and held a ball of tissue paper in her hand.
Malcolm sat on the bed and looked at his wife.
Anna wrapped the blanket tighter.
(CUT IN)
10. INT. CORRIDOR, NIGHT
Malcolm screwing the doorknob in the basement.
The door is locked.
Malcolm reached into his trouser pocket for the keys.
(Cut in)
11. INT. BASEMENT, NIGHT
The otherwise empty basement is filled with filing cabinets and filing boxes filled with books on psychology and medicine. A desk is placed next to the wine rack.
Malcolm found a thick book among the dusty piles, with the words "Latin Dictionary" printed on the spine.
Malcolm sat down at the table and opened Cole's file. The first few lines read: "De profundis calms ad te, domine."
Malcolm looked up the meanings of these Latin words.
Malcolm translates the meaning of each word: God, I cry out to you from the abyss.
He was stunned.
(cut in)
12. EXT, PHILADELPHIA, Dawn
Old Philadelphia wakes up. The rising sun has cast a golden coat over the whole city.
The church bells, the sound of the helicopter... the sound was roaring, piercing the sky.
(CUT TO)
13. LAUNDRY ROOM - MORNING
A puppy with different colored eyes sticks his head out of a pile of freshly dry cleaned clothes.
Lynn Searle retrieved a top from the dry cleaner, shivered in the air, and put it on hastily. She is less than 30 years old, her hair is fluffy, and she is a very attractive woman.
Lynn entered the adjacent kitchen. A breakfast has been prepared on the kitchen table.
"Cole," Lynn walked over to the coffee machine, closing the open cupboard door and drawer.
Cole walked over to the table in his school uniform and sat down.
Lin: "Your chocolate crisps are soaking soft."
Lin walked over to Cole and checked his tie: "It's stained."
Lin took off her tie and walked into the dry cleaning room. Cole sat down at the table.
Lin found a clean tie from the dry-cleaned clothes and turned back to the kitchen. She couldn't help but scream as she saw all the cabinet doors and all the drawers open.
Cole sat at the table, his hands flat on the table. He seemed to be shaking.
Lin: "What are you looking for?"
Cole: "Sandwich pie."
Lin glanced at the cupboard by the sink, the filling pie was obvious.
Lynn: "Right here."
"Oh," Cole didn't move.
Lin closed the cabinet door and drawer again.
Cole: "Mom, what are you thinking?"
Lin: "A lot of things."
Cole's hand is still on the table: "Do you think I'm bad?"
Lin leaned down and said, "Look at me. "
Cole Er looked at Lynn.
Lynn: "I definitely don't think you're bad, understand?"
Cole looked her in the eyes and said, "Got it."
The doorbell rang.
Cole: "Tommy's here, Mom."
Cole got up quickly and ran out.
Lin: "Stuff the tie in. Don't you want this?"
Cole turned around and saw Lin holding the sandwich pie. Ran back, took it and left.
Lin glanced at the desktop, and the two chaotic handprints on the desktop caught her attention. She went to the window very restlessly.
(Cut in)
14. EXT. BROWNSTONE - Morning
Tommy looks like an 8-year-old Italian villain, standing outside Cole's house in his school uniform.
Cole went down the steps.
Tommy took Cole's schoolbag, put it on himself, and walked towards the school with his arms around Cole. Cole turned back and waved to his mother.
After turning the corner and out of Lin's sight, Tommy immediately put his arms down and said, "Hey, freak, how about the shoulder-shoulder move? I thought to myself, I'm really talented. A first-class actor can do it, it's called improvisation. ." Saying that, he returned the schoolbag to Cole and ran away by himself.
Cole looked around nervously.
(cut in)
15. EXT. St. Anthony's School, Morning
School The last bell rang, and boys and girls in school uniforms ran through the school gates.
Cole was the last to go in, standing alone in the aisle, as if he could go anywhere as long as he didn't go to school. He put his hands in his pockets and walked cautiously into the school.
(cut in)
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