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The doctor's ending is enough to hold up the whole play, and the whole storyline of Cole's escape from the weird - the truth - is even more ups and downs and full of suspense, but the real genius of the film is not these mature skills, but human nature: The mother's deep love and trust for Cole; the wife's longing for Mike; the mother and son's confession about their grandmother in the car; even the girl who asked Cole for help was not to expose the crime of her stepmother, but to protect her sister.
Chinese filmmakers always forget this truth: To make your film more advanced, it is not only by exposing the ugliness of human nature. Maybe this is not just the difference between American and Chinese films, but also the difference between people - simplicity and complexity, hope and despair, love and demand, beauty and depravity, belief and non-belief.
What you believe is what you say.
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