The first is an aesthetic rejection. Ugly in shape, this dead fish looks at me and accepts my incompetence! Maybe some people want to say that Spider-Man is also a white eye? But the white eyes of others are bigger than yours! Besides, there is a handsome face under the mask, the face of a dead servant, can you find it on the street? I seem to hear someone say that I discriminate against disfigurement, and disfigurement is a bonus, right? In the movie, RR self-deprecated and said that his popularity was not due to his acting skills, but it was true. Except for the waist of the male dog, I really didn't see anything that could make him popular! Screen is dirty. Someone else wants to say that R-rated violent films are so bloody and bloody, Wang's man is also R-rated, and the massacre of thousands of people and collective headshots are full of beauty, dirty is dirty, there is nothing to say.
The second is the denial of style. Stupid characters. Gang Zhen, I was very much looking forward to the anti-hero setting in the superhero world, but I was very disappointed because this anti-hero is not pure. The movie is just a love story of a gangster with mental and emotional problems. The two childish motives of revenge and picking up girls inexplicably give Deadpool a brainless sense of justice. The downright asshole or the utterly invincible dick that I was hoping to see didn't show up. Low-level humor. It's not to resist shit and piss and sex comedy, but the laughter is too straightforward and naked, it always seems that the IQ is not enough, and the mouth can't make it up. Don't always talk about the R rating, I am also a huge fan of Teddy. The placement of stalks is still intensive, but it feels a bit overused, and I am tired of Marvel's housekeeping skills.
The most exciting part of Marvel is probably the group play, but the downside is that it is easy to lose focus. From Ant-Man to Bitch, Marvel began to try to focus on the individuals in the group portrait, the concentrated image is clearer, and the characters are more three-dimensional. If "Ant-Man" is a small victory in the big universe, then "Deadpool" is a cheap counterattack in Weiguang Zhengli. The former is an anti-hero in form, and the latter is an anti-hero in spirit. If you insist on the advantages of the film, it is probably that everyone found a new point of interest when everyone was less interested in the image of superheroes. Inserting flashbacks and breaking the dimensional wall to allow actors to talk directly to the audience are two not new highlights, but at least it alleviates the pale and uninteresting of the story. For me, the only fun of watching movies is watching Deadpool's self-deprecation of the Marvel universe, and Hugh Jackman and Stan Lee forever.
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