It is always very interesting to watch the director's debut work, which is often like an experimental field, full of vitality that is not perfect but absolutely brutal. I learned in advance that the movie "Reservoir Dogs" marks the official Quentin-style film composed of Quentin's unique style, complex characters, strong violent aesthetics, witty and humorous dialogues, a soundtrack full of characteristics of the times, and a unique narrative method. on the world movie stage. Reservoir Dogs is a crime film about a group of robbers who try to figure out who is undercover after a failed jewelry store heist. At the beginning of the story, Quentin let everyone sit in the restaurant with high spirits, suits, sunglasses, cigars, backs, and everyone gave a slow-motion close-up with the name of the actor, like a gangster in a Hong Kong film. However, when suddenly the title of the film is given, Quentin will tell you that these "gangsters" are just underdogs. At the end of the film, the good guys and the bad guys are all dead, the ruthless, cunning, brave, and righteous are all dead, and only the cautious Mr. Fan, who is tangled in giving tips and not tipping at the beginning, survived because he escaped, "The pink mouse stole it. Cake", ridiculous, playful, and helpless. I was very moved by the fact that in the last scene, the seriously injured Mr. Orange told the dying Mr. Bai that he was an undercover cop. I realized later that it might be out of a human instinct for empathy and compassion. It is a very emotional side of human nature, and this is what the director wants to present to the audience. Maybe this is the so-called "the king treats me with a countryman, and I should repay it with a countryman".
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