The arrival of death is short and neat, surprising and forcing you to adjust to his world - "nothing to talk about, that's all". Quentin's film doesn't sell anything. The last scene that makes people feel the most simple and rude has an unquestionable simplicity, and it feels good to watch it: the policeman is pointed at by the big villain's gun, and the soft-hearted stupid villain No. 2 counters the gun threat, protects the police, and at the same time is placed on the At the gunpoint of the villain's son. What happened? Are you nervous? It is estimated that if others film this scene 10,000 times, the gun will not ring, and if it rings, the villains will all die. Let someone else take it 10,000 times, and the policeman will not die.
Guess what happened to Quentin? After a minute of dawdling, everyone fired, and they all shot honestly. The only one who didn't die is Mr. Fan who is professional enough. When the gun is raised, it will be pulled, and if it is pulled, it will hit, and if it hits, someone will lay the gun. Only death is a legitimate consequence of raising a gun, and a movie that doesn't kill a person (or a policeman) by raising a gun is hooliganism. There are many movies now, even if the protagonist beats 10,000 aliens with his bare hands and falls into a cliff from a height of 5,000 feet or is hunted by the people of the whole country, he still survives and saves the earth and sleeps the heroine by the way.
So I say that Quentin is a master at writing stories, and the stories written twenty years ago still make you drunk, cool and unpredictable.
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