10 minutes of life in the world, and the latter is to surpass the world. Therefore, the first 10 minutes are basically the animation of the idea of real shooting, and the latter fully reflects the animation.
However, the monotonous clues and character settings are destined for the "animation" part to not create too many surprises after the house flies, or the concept of the flying house is big enough, I mean in such a strong concept It's hard to create anything comparable to surprise or joy.
For example, a storm, a talking dog, a chocolate-eating bird, an adventurer who collects bird taxidermy...
The father and mother found the waterfall too quickly, and then the enemy set was soft, lacking in confrontation and richness, and the group of dogs Surprisingly rapid transformation of the ... Plus, the old man seems to have eaten Viagra and suddenly became a superman ... The fat kid's energy transformation is also doubtful.
High orgasm is not proportional to height. The logic of the ground and the logic of the flight conflict. The main part of the movie is like a dream in the introduction part. The
climax has already been reached before take-off, creating too high expectations, resulting in weak second climax, insufficient gravity after take-off, and off-line.
But, with balloons and blue sky and white clouds. With adventure, loyalty, friendship, and the foreshadowing of asexual love, with these castrated keywords that transcend the heavy body, enough UP is enough.
The old man and the fat man are up, and there is no money or beauty. The film prompts a kind of pure happiness, and the audience smiles happily.
This is the Pixar anchor, hanging on the itch of the world.
So, the audience and friends wiped away their tears and set off resolutely, pretending to be castrated in love, and continue to struggle to own a house that cannot fly.
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