In that era, this film should be quite avant-garde. This work tells the story of 4 suspects. The 4 suspects were involved in a storm for some reason, and the murderer they were looking for was actually hidden here. Among the 4 people, this is naturally not easy to do, as the saying goes, the more suspicious the person, the less suspicious it may be, and the murderer took advantage of this to successfully escape the sanctions, of course, this is only temporary, After all, the people who investigated him later also found the problem, and the final result is unknown, but we temporarily understand that he is on the loose. Anyway, the reverse thinking shown in the film is still worth learning. If people do not have this ideal thinking, it is still relatively difficult to guess who the murderer is, but now, this type of type has emerged endlessly, so it is easy to see the ending. Even so, the final few quick montages of the film are well used. Anyway, this is a very interesting work. It reminds me of some of the Knox Ten Commandments about mystery novels before. For example, the protagonist cannot be set as a murderer. Of course, this is in real life, I think this This kind of gameplay should be unplayable. After all, this work is just a work of art. I think it will inevitably have a handle in real life, and he must have a very reliable and effective assistant, even if he sacrifices his life. It is also very difficult not to betray his assistant.
In a nutshell, the milestone is greater than the film itself.
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