W urged me to watch a movie a week ago, and it was called "WALL·E" with the Chinese name "Wali" (aka Robot Story. I don't want to call it that, first because it's irrelevant, and second because of the name) The guiding nature of the film will lead people to think that this film is similar to Toy Story), because comrade w has long been a spiritual model for me, a friend who does not hesitate to criticize me, so although I hate toys, I hate General Mobilization, But I was still forced to promise him to take a good look.
The difference between American cartoons and Japanese TV dramas is that they do not use grand music to wrap up the microscopic humanity in the story. They just use a plain mood to tell a lonely, small, "rubbish-picking robot" tile. Li's story, although he is not alone in the end, and what he does is not trivial, but when Wall-E encounters Eva's landing on the earth full of garbage heaps, his life changes, and Wall-E is not because of Eva. With a soul, before that, he had already enjoyed the life of a person picking up garbage. He once found in the garbage heap "precious" items left by humans in a hurry, similar to diamond rings. He disdainfully threw them into the garbage heap, and he After getting to know Eva and becoming friends, he took Eva into his small world. The room was full of interesting life objects, Rubik's cube toys, electric lights, dancing radio on TV, and those small objects were full of human life. Light of Wisdom, of course, Wall-E's baby also contains a thriving little strong, and a small ordinary green leaf grass. When Eva discovered the rare remaining life signal on the earth - a small ordinary green leaf grass, she immediately stuffed it into a programmed state, like a vegetative person. So, Wall-E foolishly sheltered Eva from the wind and held an umbrella for Eva. That kind of treatment was like the kind of "love" that humans often say.
The unusual program state sent unusual information, which caused the spacecraft to send flying objects to retrieve Eva. It turns out that the spaceships outside the galaxy are loaded with human beings after 800 years. Those descendants are still waiting for the day to return to the earth at all times. Time flies, human beings have no flexible limbs, and their bodies degenerate under the service of robots. Became a "clumsy freak". Wall-E secretly followed Eva to the spaceship. The robot serving the captain of the spaceship did not know how to be flexible at all. According to the original order, he gave up the plan to return to Earth. The robot tried to bury the life signal and brainwashed the captain of the spaceship. The captain was restrained until he saw in the knowledge base how human beings lived on earth in the past, he asked the question "define dancing? define sea!" The most vulnerable point of the nerve is that the captain watched the video playing "What is sea water, what is dancing, what is planting, what is pizza", and he is looking at his body that has become more and more tolerant over the past few hundred years. The increasingly arrogant robots, the captain shouted "You are a rebel!"
This shout announced the awakening of the sleeping human beings, a desire for real life, because life is not just about survival.
In the past few hundred years, human beings have become accustomed to talking to virtual screens, accustomed to sitting on the top of their chairs to stretch out their hands and open their mouths to eat, and let themselves become less and less able to communicate. Even when Wall-E greeted them, they all forgot How to show their enthusiasm, how to introduce themselves, they even almost forgot their name. Inside that enclosed spaceship, the swimming pool was luxurious but lifeless, and people were pinned to chairs and not allowed to splash on the water. They have forgotten the pleasure of communicating with people, the joy of playing on the water, and the life of being down-to-earth with gravity.
On the contrary, the robots Wall-E and Eva show their unique passion for life at this time. They help each other. Their smiles and smiles are the most beautiful things in this movie, and that is the joy of living. .
I really want to shout, if you don't have the enthusiasm and pursuit of life, even if you survive, what's the difference between it and fly ash!
And I, I don't think I am a person without enthusiasm for life, I am a person who has only enthusiasm but is unwilling to pursue.
I don't know since when, living in a closed state of life, opening doors only for a few people, gradually, even facing the family members who get along with each other day and night, I am speechless. Until recently this guilt has been getting worse, but I can't come up with any other state. When I hear the movement at home and the calling of my parents, my heart will suddenly panic, and my movements will become stalemate. What should I do? I think I'm a little sick. It's not serious, but there may be no cure for it for the time being.
Yesterday I watched the triangle Japanese drama, the Chinese name is blurred triangle. After watching the first episode, the characters stand out clearly, the suspense gives me the power to continue watching, and the music is full of great feelings. I know that it is the psychological comforting work I want, but with the strength of that power (that power refers to the protagonist's eyes, the incitement of the music), I feel that I can't stop at walking into a closed world , no matter whether the drama I watch every day is true or not, it is more and more difficult for me to locate the feelings in real life, even if it is too delicate, too simple, so simple that no one will package and render it, precisely because it is too Without rendering power, it requires too much effort to feel it. And my motivation is, I can't feel it, I don't want to go.
The direct result is: I need to quantify my life to find the meaning of living, for example, how many words I read, how many streets I walked, how many stories I read, and how many tears I shed.
This sinking, closed, and perhaps not a degenerate road, how to step on the brakes?
I think the crux of my problem is that I don’t have the courage to pause and break my life that is not right. In reality, the microscopic life I face is obviously not so related to the big proposition of human destruction. Movies always make events specific or grand. Emphasize consequence, or power, by causing a strong effect. However, it is clear that my micro life is becoming more and more pedantic and stylized, and my life contains my own kind and non-kind, and I always circle in circles in my own kind, the smaller the circle, the recognition and the Disapproval, success and failure, love and being loved, the more I live, the less I live, but my relationship with life is far from what it should be!
The scary thing is, even if I think about it myself, I can't think of any other way to present my relationship with life besides the above.
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