Nothing but splattered blood

Jefferey 2022-04-23 07:01:02

[Kill Bill] is the fourth film directed by Quentin Tarantino. It marks that a myth-maker who has changed from a movie fan to a director has also begun to engage in high-investment and large-scale productions. He has also begun to put entertainment first, and he has begun to understand Use the sequel to get yourself a long-term meal ticket. Those trademarks of Quentin in this film are still alive, and Quentin is also very concerned about and attached to those unique skills he once had. But this film has lost the profound meaning, clever narrative techniques and grotesque details of Quentin's previous works of ordinary stories, [Kill Bill] is simply a revenge-mode RPG computer game. In addition, another big difference between this film and Quentin's previous films is that although most of the things in the old works are also very unrealistic, at least the way Quentin tells them is based on the real background, although some things are almost It can't happen in life. But Quentin makes them condensed or concocted logically, convincingly, and terribly black and funny. But [Kill Bill] feels extremely unrealistic as a whole. It empties a lot of social order, most notably laws and regulations, and it is free to explain key issues - such as that shot that was easier than finding something. Not killing the bruised and half-dead pregnant bride is far more incomprehensible to us than when [The Godfather] the middle-aged and frail Corleone was shot six times by those two close-range killers It is a classic miracle that he survived every time he died in that market.
All in all, [Kill Bill] will feel like a violent fairy tale far from the world, as if a small group of people in a blood-spraying crystal ball stage a series of witches who don't know where it happened. kill.

[Kill Bill] is the fourth film directed by Quentin Tarantino. It marks that a myth-maker who has changed from a movie fan to a director has also begun to engage in high-investment and large-scale productions. He has also begun to put entertainment first, and he has begun to understand Use the sequel to get yourself a long-term meal ticket. Those trademark shots of Quentin in this film are still alive, and Quentin is also very concerned and attached to those unique skills he once had. But this film has lost the profound meaning, clever narrative techniques and grotesque details of Quentin's previous works of ordinary stories, [Kill Bill] is simply a revenge-mode RPG computer game. In addition, another big difference between this film and Quentin's previous films is that although most of the things in the old works are also very unrealistic, at least the way Quentin tells them is based on the real background, although some things are almost It can't happen in life. But Quentin condenses them or concocts them logically, convincingly and terribly black. But [Kill Bill] feels extremely unrealistic as a whole. It empties a lot of social order, most notably laws and regulations, and it is free to explain key issues - such as that shot that was easier than finding something. Not killing the bruised and half-dead pregnant bride is far more incomprehensible to us than when [The Godfather] the middle-aged and frail Corleone was shot six times by those two close-range killers , did not die on the spot in that market but survived this classic miracle.


All in all, [Kill Bill] will feel like a violent fairy tale far from the world, as if a small group of people in a blood-spraying crystal ball stage a series of killings that witches don't even know happened there kill. It is undeniable that this is the film that Quentin is most accepted by the people of the world, but it is also the one with the least symbols and the most obvious meaning. The fans of Ting's five-body cast discovered the side of his craftsman. In the later [execution room], his craftsmanship was once again completely defeated by Rodriguez, but fortunately, there was a stunned later film [ Unscrupulous Army], it reminds people that Quentin is still around.

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Extended Reading

Kill Bill: Vol. 1 quotes

  • Copperhead: So I suppose it's a little late for an apology, huh?

    The Bride: You suppose correctly.

    Copperhead: Look, bitch... I need to know if you're going to start any more shit around my baby girl.

    The Bride: You can relax for now. I'm not going to murder you in front of your child, okay?

    Copperhead: That's being more rational than Bill led me to believe you were capable of.

    The Bride: It's mercy, compassion, and forgiveness I lack. Not rationality.

    Copperhead: Look. I know I fucked you over. I fucked you over bad. I wish to God I hadn't, but I did. You have every right to want to get even.

    The Bride: No, no, no, no, no. No, to get even, even-Steven... I would have to kill you... go up to Nikki's room, kill her... then wait for your husband, the good Dr. Bell, to come home and kill him. That would be even, Vernita. That'd be about square.

  • The Bride: Go-Go, I know you feel you must protect your mistress. But I beg you, walk away.

    [Go-Go giggles girlishly]

    Go Go Yubari: [in Japanese; subtitled] You call that begging?

    [serious tone]

    Go Go Yubari: You can beg better than that!