There is nothing to think about in Quentin's film, it is a film without logic and no need to think. However, the latter will make the story more tangled and more obscure.
Two bloodthirsty and happy directors, Quentin vs Yuan Ziwen.
Quentin, Kill Bill 1, 2, Pulp Fiction, Django Unchained, Sin City, American-style violent plasma movies, the story is very simple, either you kill me or I kill you. Plasma movies have no value for thinking, but what is worth appreciating is the way it tells stories, a bit like a Japanese checkered manga. The movie is a scene-by-scene switch, as if the photos are played in succession and quickly: brush, brush ,brush. He hacked to death several with a single slash, and died several times a second. Fast, decisive, and clear have become several iconic words in Quentin's plasma film. Foul language and violence, violence and sex, this kind of film is a typical male taste. Adhering to the unique personal heroic feelings of Americans, whether it is underworld or white, it has a convincing character, just like the worldly feelings of B boss killing Bill 2, which will also awe the audience.
Quentin loves close-up details. A close-up of the feet, or the action of the human body's limbs to express the character, in Kill Bill, the purple embroidered lining of the B boss stretches out, the man's strong hand caresses the samurai sword, and the gang leader's status is indestructible between his fingers , the principle of one-of-a-kind to his subordinates, the authority feels invisible oppression. The Japanese black boss slashed the rebel's head with a big slash, and the method was so fast that no one responded, and it was so cold-blooded that it was horrifying. The sexy temptation of the one-eyed nurse wearing stockings slowly stroking the socks up, as if playing with the upper body of a sexy little wild cat, and the flaming red lips raised everyone's lust. Quentin expresses human body language without words and taste.
Compared with the pure visual plasma pleasure of Americans, the Japanese choose to take complex and worrying psychological plasma. Yuan Ziwen went farther and farther on this road and became unique.
Sonoko Wen, icy tropical fish, exposure of love, mysterious circus, Japanese-style heart-wrenching plasma movie, stories from originals to adaptations of real events, showing that the dark side of the psychological quality of people in this small island country of Japan is exposed. The pure psychology of perverts, each of his films tear apart the values of normal people, full of blood, violence, pornography, mixed with a little religion, a little irony and playfulness with a little cross, blood like a fountain reflecting the red philosophy of violence, peeping at the alternative Crowds distort lifestyles. There are many inexplicable organizations, the Zero Church, the gathering of perverted hobbies, the gathering forums that leave marks on the body, and the organizations that secretly photograph women's underwear. Plasma is not only a manifestation of simple human emotional dissatisfaction, but cruel destruction without reason, that is, naked and ruthless destruction without consciousness, a complete defeat from the body to the root of the soul. Just like the icy tropical fish, the owner of the tropical fish shaves his face on the woman's body, or the exposed Guchi cut off his father's penis, and finally cut his abdomen with a samurai sword, most people will leave a deep sense of pain after watching Sono Ziwen's movies.
The Japanese country's thorough research on the heart is always admirable, which shows that the grudge, the evil spirit in the middle of the night, does not require blood to make you suffocated with fear.
Well, today I talked about two directors who like to eat blood, what do you think? Whether it is Quentin's American-style visual plasma or Sono Ziwen's Japanese-style psychological plasma, plasma is already the symbol of violence in movies. Will the red warning make people love and fear?
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