what is so funny?

Armando 2022-04-22 07:01:02

After watching it, I was too impressed with the before and after contrast created in the movie

1. To be a clown/be a clown

In the first part of his life, Arthur played the clown for others to make fun of; in the second half of his life, Arthur became the clown and made fun of others. When dancing in the city, it should be the first time Arthur laughed heartily.

2. Tragedy/Comedy

In the first half of his life, Arthur lived a complete tragedy, and this tragedy was the joke of others, and he added jokes from time to time, including Arthur himself, who was forced to laugh at this tragedy; Half of Arthur started doing his own comedy, but no one could laugh except Arthur himself. As Arthur asked, who dictated what is funny? And who justify your laughter?

3. Becoming a man/becoming a beast

In the first half, Arthur is strong and forbearing, and everywhere reflects the "warmth" of being a person under the social moral system: he takes care of his mother, makes his children happy twice, strives to complete his work and has small ideals, apologizes again and again, speaks Soft and polite. No matter how deep into the black hole, he thinks he wants to bring laughter. He strives to be a "human", even if no beast in the zoo has ever treated him like a human being. But, he said, "I don't feel like I exist." That's right, he just lives as a human being.

In the second half, Arthur begins to tear apart all social moral constructions. He kills people, and feels good about it. The audience and the ordinary citizens in the movie will start to panic: "Yes, you are the bottom, you are too miserable, should you kill?" Arthur began to not look like a person. . You say he's like a cold-blooded animal. He killed Fatty, but opened the door for Shorty. He knew that Shorty was just someone who had been bullied in the same society as he was and still kept his warmth on him. Arthur is not like a person, but has become a person, a person who no longer bows to evil and bravely stands on the side of the weak and the good. To really become a cold-blooded beast, Arthur only needs to join the group of his people to fight others, and join the fat colleagues to ridicule other colleagues. After all, there are always people weaker than him for him to vent.

4. Cool/Warm

All these contrasts were conveyed by the director in a very good way, the most obvious being the continuous dark and cold tones contrasting with the dazzling light at the end of the film.

5. False/Real

There are many small details of contrast between reality and reality in the movie, such as Arthur's imagination, such as the hallucinations of Arthur's mother. But the bigger contrast between reality and reality lies in how realistic the film is and how artistically processed it is. Gotham City is like the sum of the contradictions above, and there is not a single person in it who is not a jerk. There are many ways to kill people, and no one's hands are clean. One second I thought it was too surreal, the next I thought this drama was terrifyingly realistic.

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Extended Reading

Joker quotes

  • Arthur Fleck: [Arthur goes to Wayne Manor where he sees young Bruce and does a clown rooting form before talking to him through the gates] Hi. What's your name?

    Bruce Wayne: I'm Bruce.

    Arthur Fleck: Bruce. I'm Arthur.

    [He sticks his hands through the gate, puts his fingers on Bruce's face lifting the corners of his mouth as if to make him smile]

    Alfred Pennyworth: Bruce! Bruce! Get away from that man.

    Arthur Fleck: It's okay. I'm a good guy.

    Alfred Pennyworth: How do you do? Who are you?

    Arthur Fleck: I'm here to see Mr. Wayne.

    Alfred Pennyworth: Well, you shouldn't be speaking to his son

    [Giving back the fake flowers Arthur gave Bruce]

    Alfred Pennyworth: Why did you give him these flowers?

    Arthur Fleck: No, they're not real. It's magic. I was just trying to make Bruce smile.

    Alfred Pennyworth: Well, it's not funny, is it? Do I need to call the police?

    Arthur Fleck: No, please. My mother's name is Penny. Penny Fleck. She used to work here years ago. Can you please tell Mr. Wayne I need to see him?

    Alfred Pennyworth: You are her son?

    Arthur Fleck: Yeah. Did you know her? I know about the two of them. She told me everything.

    Alfred Pennyworth: There's nothing to know. There is no "them." Your mother was delusional. She was a sick woman.

    Arthur Fleck: Don't say that.

    Alfred Pennyworth: Just go. Before you make a fool of yourself.

    Arthur Fleck: Thomas Wayne is my father.

    Alfred Pennyworth: [Alfred starts laughing, causing Arthur in anger to put his hand through the gates around Alfred's neck and starts to choke him] Let go of me! Let go! Let go of me!

    [Arthur looks at Bruce watching with fear, he turns and runs off]

  • Detective Garrity: Mr. Fleck. Sorry to bother you. I'm Detective Garrity this is my partner, Detective Burke. We have a few questions for you, but you weren't home. So we spoke with your mother.

    Arthur Fleck: Oh. What did you say to her? Did you do this?

    Detective Garrity: What? No.

    Detective Burke: No, no, no. We just asked her some questions. She got hysterical. Hyperventilating, collapsed...

    Arthur Fleck: Yeah, but the doctor said she had a stroke.

    Detective Garrity: We're sorry to hear about that. But like I said, I still have some questions for you. They're about to subway killings that happened last week. You've heard about them right?

    Arthur Fleck: Yeah. It's horrible.

    Detective Garrity: Right.

    Detective Garrity: So we spoke with your boss, over at Ha-Ha's. He said you were fired for bringing a gun into the children's hospital. Is that true, Mr. Fleck?

    Arthur Fleck: It's a prop. It's part of my act. I'm a party clown.

    Detective Burke: All right, so why were you fired?

    Arthur Fleck: They said I wasn't funny enough. Can you imagine that? Now if you don't mind, I have to go take care of my mother.

    Detective Burke: Your boss also gave us one of your cards. This condition of yours, The laughing, is it real, or some sort of clown thing?

    Arthur Fleck: A clown thing?

    Detective Garrity: Yeah. I mean, part of your act?

    Arthur Fleck: What do you think?

    [Arthur turns and starts walking towards the hospital doors, but walks into the glass door]

    Detective Garrity: It's exit only.