little idea

Kaya 2022-04-20 09:01:07

On October 3, "Joker" was released in the Netherlands, and it was the first day to enjoy the new work of Todd Phillips. I have seen the "Hangover" trilogy directed by Phillips a long time ago. It is also a comedy series that I personally like very much. I am still very confident in the ability of director Phillips to control the scene. With Venice winning the Golden Lion, naturally Expectations are high.

Although the movie is titled The Joker, it also has ties to the DC Universe (mainly Batman). But it's a movie completely stripped of its superhero shell, and you can think of it as a Taxi Driver movie, the same dirty, messy, city sewers, street corners full of smelly garbage, but this By no means a superhero type movie. The story of the clown happens to every urban "mouse" who tries to preserve himself.

The film clearly uses multiple sets of confrontational intentions to create a chaotic mood. From the very first scene, the forced smile and the tears covered with paint reveal the chaotic characteristics of the clown. With the continuous development of the plot of the film, the appearance of decentness that the clown constantly supports is broken, and the tragic and chaotic characteristics of the characters are slowly exposed. During this process, the director and screenwriter were not in a hurry, and patiently laid out many propulsive plots, instead of using fast, stylized routines, and superhero plots. In the second half, as the representative of the chaos in the city, the rationality of the clown moving towards the final chapter is still to be discussed, but it is precisely because of the good foreshadowing before that eliminates the occasional abrupt feeling in the plot, which makes the development of the movie very smooth. Another point I want to mention is the color matching and photography of the film. The strong color palette highlights a turbulent chaotic texture, and a few backlit shots also fully explain the clown's characteristics of wandering between light and darkness. However, for disorder (a mental illness that keeps laughing) and dance as a "prop" attribute, the increase in its use may greatly reduce the intensity of its appearance. If the energy of the movie is regarded as a constant value, perhaps it should be Gain greater energy density with as few "props" as possible, rather than using "props" as an everyday occurrence.

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Extended Reading
  • Destany 2022-03-22 09:01:08

    2.5 / ① There is only a false sense of surly from beginning to end instead of truly offensive courage. The soundtrack is entirely an announcement of how cowardly the creator is. ②Only the body (and the space distorted by the body) that is not captured by the forced drama occasionally touches the character, and the rest is an orderly "performance". ③It just forcibly collages various social symptoms, and the interior of the work is almost overhead, and the talk resonates with the reality of the times. ④ Pretend to "enter" the character, but in fact a strong transparent film is built around the character, everything displayed in the film has a "real" halo-but works without conceptual dimensions can only create seamless The illusion of life cannot be noticed by the presence of the eyes.

  • Theresa 2022-03-25 09:01:05

    Phoenix has provided abundant body and facial performances, which are instantly revealed, blooming deep in the soul, and spectacular. The effect is sure to be there. However, the overall text of the film is lacking in depth, the format is not enough, and the reflection and resistance at the ideological level are very high. It was empty and naive, and very routine, which made this performance a discount. The essence is still an IP movie.

Joker quotes

  • [Arthur is making a little kid laugh on the bus]

    Boy's Mother: Would you please stop bothering my kid?

  • Arthur Fleck: You know, I do stand-up comedy. You should maybe come see a show sometime.

    Sophie Dumond: I could do that.