Samsung and a half is a bit too hard and too straightforward, must we keep increasing the drama of the male protagonist? Must the audience's thinking be relied on the social system? In this way, the male protagonist is too passive, and it will continue to be miserable in a linear manner. We are just waiting for that explosion point. Moreover, his obsession line is incoherent, and sometimes it becomes an object to express the theme for the director, unlike himself. No matter how good Miryang is, there is constant redemption in the hearts of the characters, questioning hatred, and calm despair. The language of the camera is also, don't be systematic and straightforward, especially every time the male protagonist's self-high MV is too high. The highlight of the play is the shadow of the taxi driver and the king of comedy. Maybe it's a commercial appeal. The subway shooting scene was pretty good. Many of the situations that Hong Kong people should see are very similar to us. Now you can vent your emotions and reflect a little. I really liked the corridor at the end. The guy with the exposed bloody footprints was chasing at the end of the corridor. I thought he was a little more interesting. I love the male protagonist, but you are not so lonely as portrayed by a less talented director, but when you think about choosing the male protagonist as a clown instead of a taxi driver from the director, you should guess that the director is a bit deliberate. Love the way he looks in her more.
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