Gangster Practitioner's Guide

Jerald 2022-04-22 07:01:01

As a master director, Martin Scorsese loves to find another way, walk between art and business, and do it with ease. For Martin Scorsese, who is not out of the norm, the gangster theme is his favorite, but there are classics For example, the "Godfather" series of textbooks is in front, and there is not much room for epic works, so "Goodfellas" switched the perspective and came into being~
"Goodfellas" and "Godfather" series are two sides of the coin, They are all time-series narrative structures, telling the historical trajectory and mental journey of the Italian beauty, the prosperity, development and decline of gangster entrepreneurs in the United States. The difference is that the "Godfather" series adopts the perspective of the top of the gangster pyramid, depicting the It's the gangster boss and the gangster family, and "Goodfellas" focuses the camera on a gangster.
From the narrative point of view, "Goodfellas" is actually quite good, no surprises, the development of the chronicle, in The narrative rhythm is accelerated in the depiction of the second half. Due to Martin Scorsese's superb control of the rhythm, the audience is easily bored and boring stories, which are passed over in high-speed operation, but the problem is that the film's The story is too detailed and fragmented, there are too many narrative narratives in the running account, and the deep digging of each crime is limited ~
The language of the camera is the highlight of this film. Martin Scorsese, who is difficult to develop in the narrative, is in the language of the camera. With a lot of effort, there are many long shots in the film, which are used to narrate and explain the background, and its scheduling skills can match Quentin, not to mention that "Goodfellas" is a few years earlier than "Pulp Fiction", so Martin Smith Although the subject matter of the films that Corsese makes are often outdated, his consciousness is always ahead of time~ The
film is the collaboration between Martin Scorsese and Robert De Niro again, but for the two old uncles, The film is still full of texture, but it still lacks the elegance and sharpness of the "Taxi Driver" era. The film is based on Nicholas Pileki's novel. For a gangster work, the criticism of the society is overdone. It is more than absurd, but it is profound~

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Extended Reading
  • Dallas 2021-10-20 18:58:11

    Like all gangster movies, the people trapped in it directly face the issue of life and death. In this tension, they rely on madness to vent. Even if they are living in the fight, their hearts will gradually go dark. In the end, I couldn't trust anyone. It is understandable why Lao Mao is so crazy. The tension of the gang comes from life and death, and the relationship is self-existent.

  • Rosella 2022-04-23 07:01:01

    It can't be said that Martin Scorsese's gangster films are so awesome and perfect, but he used a few works to shoot results that most directors can't make in their lifetime. Five years after the box-office flop of Once Upon a Time in America (also De Niro), director Sergio Leone dies of gloom, and the old horse comes out of this gangster biopic , using different brisk methods to describe human nature and the world, there is no idea of ​​shooting epic, instead of the non-plot-oriented people-oriented. But the script is more like the biographical way of the original work, which is also told from a first-person perspective, but is strayed to increase the dramatic conflict. A long shot with panning in the middle is excellent, and of course a lot of movement is also of a high standard. Joe Pesci's Best Supporting Actor Oscar deserves it!

Goodfellas quotes

  • Karen: [narrating] After awhile, it got to be all normal. None of it seemed like crime. It was more like Henry was enterprising, and that he and the guys were making a few bucks hustling, while all the other guys were sitting on their asses, waiting for handouts. Our husbands weren't brain surgeons, they were blue-collar guys. The only way they could make extra money, real extra money, was to go out and cut a few corners.

    [Cuts to Henry and Tommy hijacking a truck]

  • Henry Hill: [narrating] It was revenge for Billy Batts, and a lot of other things. And there was nothing that we could do about it. Batts was a made man, and Tommy wasn't. And we had to sit still and take it. It was among the Italians. It was real greaseball shit. They even shot Tommy in the face so his mother couldn't give him an open coffin at the funeral.