In Luc Besson's work, what is the level of the play performance of "The Killer Is Not Too Cold"?

Retta 2022-04-19 09:01:02

On the 8.5/10 script alone, it lacks some new ideas compared to the fifth element, and it is much better than the Golden City. The plot of this film can be said to be a typical Hollywood commercial film template, from the beginning of the murder, to the conflict point of knowing the girl, then to the conflict point where the girl's whole family is killed, then to the adoption of the girl, and then to the conflict point of training to kill. The violent love template that has been intersecting between plainness and conflict has been used badly by Hollywood screenwriters, but the story of this film is a sublimation of this template. The screenwriter uses this mediocre script to tell the story of loneliness, kindness, love and death. Story, and used excellent lines to make up for the mediocre script, the similes of potted plants and the use of details in the film are not available in the script of the Internet cool literary genre of those Hollywood assembly line screenwriters.

In fact, the reason why this work can become a classic lies not only in the tension of the script, but also in the director's use of the camera and sound. The violent scenes in the film are very characteristic, sometimes subtle, sometimes bloody, which was later frequently used by directors such as Jiang Wen. The place for reference, and the use of subjective lens and sound when Leon died is even more wonderful. The success of a movie is a result of a good script and a good director, as well as actors and editing scores. This film has achieved the ultimate in these points. It is rich in the atmosphere of an art film under the shell of a commercial film, and will always become a classic.

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Extended Reading

Léon: The Professional quotes

  • Mathilda: [Mathilda, crying about her brother's murder and her stepmother] I was more of a mother to him than thaat goddamn pig ever was!

    Léon: Hey, don't talk like that about pigs. They're usually much nicer than people.

    Mathilda: But they smell like shit.

    Léon: Not true. As a matter of fact, right now I have one in my kitchen that's very clean and smells very nice.

    Mathilda: You don't have a pig in your kitchen.

    Léon: Yes, I do.

    Mathilda: I was just in there and I didn't see any goddamned pig.

    Léon: Don't move. I'll get him.

    [Leon goes into the kitchen]

    Léon: Piggy? Piggy? Where are you?

    Léon: [Oinking noises are heard in the kitchen] Oink, oimk! Ah, there you are.

    Léon: [More oinking, then a pig pot holder sticks its 'head' around the corner] Hi, Mathilda.

    Mathilda: [She smiles] Hi, piggy.

  • Stansfield: I take no pleasure in taking a life if it's from a person who doesn't care about it.