There is a saying in this book, "The button is misplaced from the first button, but it is often not found until the last button." Indeed, we didn't notice it at first, we made mistakes again and again, and finally the truth came out, and we started all over again. But Uncle Martin's "Shutter Island" begins by flipping from one story to another. The story is not wrong at the beginning, but it is only at the end that the front-end story is fully reasonable. "Shutter Island" is actually so well told and so well edited that when watching the film, I almost regarded myself as a mental patient. I was looking at the two labels "horror and suspense". The suspense is so mysterious and realistic that after watching it, I had to check the information to find out what Uncle Martin's film is about. But I didn't feel the horror. Maybe I watched it in the afternoon. Except for the doubts caused by suspense, I was unusually calm from beginning to end. But after watching the film and re-appreciating Mahler's music, I couldn't help feeling moved by sadness and couldn't stop. Release the Buddha about destiny and everything will bear fruit. Now I have to start to doubt myself, whether it is because I have watched too many films of this type that I don't find it scary, or whether Uncle Martin's set is useless to me. However, the director has to be commended. There is no doubt that "Shutter Island" is a good movie. It is like a magic trick. The magician and the director uphold the same belief, starting from the subtle and questionable tricks, deeply sucking the audience in, thinking about it. When you go out, you have to think deeply about whether you will really go out and play this trick after another. The title is tense, serious and blunt. The camera is slowly pushed in, the protagonist and the plot are slowly pulled away, and all transitions are so immediate. It's confusing, and the colors are subtle to set off the plot. There is no urgency in the director's desire for the audience to immediately understand the film. It is also because of Uncle Martin's ingenuity that the film is wonderful. Going towards terror, he was really empty, without the slightest grievance of being deceived, and he was full of joy and thanked Uncle Martin for not scaring him, but showing himself another situation. Uncle Martin's horror is not cliché, first of all, set in the same place as Silent Hill. "Like a lonely place with no access to the front and back of the village, it is easy to get in and hard to get out. The setting of the location casts a shadow in the audience's heart. I can't help but open my heart and worry about the characters in the camera. Although I know that there are no worries, it is still the same. I was willing to go to the director's website; then the director smiled mischievously, and the camera turned to the picture that the audience expected, but there were fewer unexpected horror phantoms, and it was so surprising. When it comes to revealing the secret, the director insists without being sullen and in a hurry. The footage swept under the reveal, except for the floral dress of Ted Daniel's wife, is all gloomy and gloomy, with a gray sky, a sharp gray storm, incredible faces, and fascinating prison cell layout. . . The camera swept away one by one, and the truth was revealed simply and neatly. On another level, Daniel questioned his identity, a hero of World War II, an infatuated husband, or an avenger... Not wanting to talk more about the ailing protagonist, we also began to agree "Here I can't help but think that people should How to do it, live like a monster, or die as a good person" feasibility, believe this, agree with this, this is your destiny, so you are freed. At the beginning, I was looking forward to the film, and I was amazed everywhere when I saw it in the middle. In the end, I remembered it, and my heart was quite quiet.
View more about Shutter Island reviews
