At first I thought I only learned the shape, but later I found out that I didn't even learn the shape. Can you win an Oscar for this shit? How disgusting this is. Only learned the skin and form, did not learn the essence of Infernal Affairs. It's not a preconceived problem either, a bad film is a bad film. The re-creation of the characters is staggering. The character played by Xiao Lizi won the boss's trust by maliciously hurting people on the street? And finally became the boss' confidant? ? Would a different person be prepared for such a person with a police record before? ? At the beginning, he didn't explain the specific identity of his father. After the fuzzification, he didn't explain why he wanted to be an undercover agent. The logic of the characters is very unreasonable. Besides, Mark Damon is so inappropriate for the role, it makes me feel like he's a jerk, not a cop at all, and I'm not out of the mind catcher. Going back to the original Huang Qiusheng's role, what a humane and three-dimensional role, he and Tony Leung are far from a relationship between superiors and subordinates, but a life-and-death relationship in the true sense. Like a good friend, it is estimated that this can also explain Tony Leung. Why can I insist on being an undercover agent for so long, because of the trust in Huang Qiusheng, a kind of self-identification and awareness of the identity of the police. As a result, Kunke who arrived here became a person who gave orders? There is no emotional foreshadowing of foreplay, especially in the scene where the watch is delivered on the rooftop, the feelings between them are almost overflowing the screen. As a result, in "Infernal Affairs", there is nothing left. This directly caused me to feel calm when I saw him being thrown from the rooftop by the gangster, and even wanted to laugh a little. If you don't die, why don't you go to the rooftop for a meeting, don't you leave yourself a way back? And why did Xiao Lizi's friend help him? He didn't betray him before he died. It's really a two-in-one knife. So Xiao Lizi saw him fall, as if he was nothing. Not a senior leader. And there are too many tasteless characters, tasteless dialogues, and so much fucking in the film Are word and violent images well localized? It also contains so many private goods of the director, whether it is racial discrimination or religious belief. On the contrary, it made old Martin forget about the ultimate philosophical question of who I am, where did I come from, and where did I go, and the inversion of identity in the movie. brought a sense of tension. The last scene of Xiao Lizi holding a gun really made me feel extremely uncomfortable physically, and it was too imprecise. You kidnapped Mark Damon, your head sticks out so far, are you waiting to be headshot? ? In the elevator at the end, how can you be so unprofessional? So relieved? I thought I could come up with something. Still got shot in the head. This is not what life is supposed to be. speechless. The character transformation of Mark Damon at the end is also very blunt, you killed your undercover friend, what happened. From this film alone, there is no logic at all, and it is very blunt. Speechless dead. So speechless. The audio-visual language and filming technique impressed me a lot. When Xiao Lizi and Damon met, the picture that appeared in the mirror was amazing. Through the language of the lens, I can tell me his split identity and lost self. Zeng Zhiwei's character design is the same as the godfather, do you want to pay tribute to Italy... The rest is really lacking.
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