Schindler appears, the previous plot is the Jewish registration list, followed by Schindler's appearance, Schindler is preparing for the next Nazi officer's dinner, which will be an important banquet that will change his life
The first scene where Schindler appears is pouring wine, and at this point we don't know who he is. According to the following plot, Schindler likes to drink and drink well. With the messy background of the newspaper, it can be seen that he is a person who is very concerned about current affairs. Schindler really seized the opportunity to make a fortune because he had the information of the war. I personally think that there is another possibility that the newspaper reported that Nazi officers are about to have a dinner party, so that's why Schindler
Schindler is putting on his tie, which shows that he cares about his image very much, and it also shows that this dinner is very important. The lights flashed to illuminate the suit and tie, accompanied by the sound of cars. The shadow of the shutters at the beginning of the shot further indicated that the light came from the car lights outside the window. It should be because of the form of martial law at that time. The lights of the German patrol cars were clever. It conveys the situation at the time, and at the same time with the moving camera, it also has some beauty. Another thing is that the suit is
Schindler poured the armbands in the box on the table. Personally, I thought about why to use this action. One is to increase the movement of the picture and connect with the front and rear shots. The second is to clearly show the armbands collected by Schindler. Choosing a pair is to show how much he attaches importance to this banquet. At the same time, there is also an element of mirror in this shot, with a certain attitude of self-examination. Picking one from many armbands also has the meaning of making a choice (
The reason why these two shots are placed together is because they are very similar. One is wearing an armband and the other is wearing a tie. In both shots, there are shaking shadows on Schindler's body. Before the banquet, Schindler He has a complicated heart, because he will usher in a turning point in his life, and his heart must be intertwined with various emotions such as tension, expectation, and unease.
The shot of Schindler wearing clothes explains that the shaking shadow in the first two shots is the projection of the curtain. At the same time, Schindler’s repeated pressing action when he puts the handkerchief in his pocket also implies that he cares about his own image very much, and at the same time, he also cares deeply about his image. There is some unease, which once again shows the importance of this banquet
Pay attention to the rhythm of this shot. The rhythm is constantly pushed up by the previous series of shots, and the rhythm suddenly slows down in this shot, indicating that the director wants to make the audience pay attention to this shot. In this shot, Schindler is looking for money in a drawer and finds some old money, which shows that he has money, and there are cigarette butts and a smoking cigarette next to him, showing that time has passed, and Schindler can smoke so much in a short time. Too much smoke also showed his complicated mood. finally
Schindler was looking for money, and he was not ordinary poor. Teacup and book in the background, showing that Schindler was a man who pursued quality of life
The final word, this man is a Nazi
The director used a series of close-ups to explain that Schindler was a person who cared about his personal image, lived in poverty but pursued the quality of life.
The rhythm of this group of shots is gradually accelerated, and the scenes are getting smaller and smaller. The scene of Schindler wearing the sleeves is larger, but the dynamic is very strong, so there is no sense of disobedience. At the same time, the rhythm slows down when cutting to the scene of looking for money, and it is the slowest when he wears the Nazi badge at the end, which also ends the series. After the introduction, Schindler began to officially appear.
Note Schindler's expression here, complex, patient, obviously looking forward to the upcoming banquet
The scene in which Schindler appeared was too long and had to be taken separately. Behind the camera, Schindler takes us into this banquet hall from his perspective, and at the same time hides what Schindler said to the waiter (1. Keep the suspense 2. Through the reaction of the waiter, we can know that it is probably similar to what? If there are no vacancies, removing it can speed up the development of the plot) The back camera moves with the waiter, indicating that the director still wants to keep the suspense about Schindler until the waiter brings Schindler to the seat, Schindler enters the painting again, and then the waiter turns around. The circle brings Schindler into the picture, allowing the audience to see Schindler's profile for the first time.
This shot is very exciting, and it also explains the environment of the banquet hall. There is a circular dance floor in the middle, and there are some dining tables scattered around, which is very important for the subsequent explanation of the plot.
Drawing a character moving picture to the point of collapse, an art student of mine was defeated by the moving picture and the garbage drawing software (covering his face)
Looking at Schindler from the perspective of waiters and passers-by, everyone was still a little curious about him at this time, but not very interested, just talking secretly behind his back, in contrast to the face behind him. In the second shot, a woman walks past the foreground, increasing the dynamics and realism of the picture. At this time, the lights on Schindler's face also give a sense of mystery.
This shot started with laughter, but it turned out to be a beautiful woman. After the beauty and Schindler looked at each other briefly, she probably felt that Schindler was not a big man and continued to drink. In the second shot, Schindler looks sneeringly somewhere (the lighting is on, giving a sense of ill-intentioned horror), and the next shot reveals that Schindler is looking at two Nazi officers. The laughter in the background sound 1 creates a happy atmosphere 2 is also Schindlerne
These two shots elevate the tempo
Schindler then paid close attention to the ranks of the two officers. The close-ups of the two officers' ranks are dynamic and relational shots. The pace of the film gradually slows down at the last shot of Schindler, and Schindler's intentions are already very obvious. The director arranged a photo-shooting plot here to use a montage of the flash of the flash and the close-up of the military rank to show Schindler's feeling as if he had been caught by the military rank. He found the Nazi officer he wanted.
The slowdown in the last shot was a preparation for this, a big man who came out at the end
This shot is very exciting. Doing a panning shot around Schindler, following Schindler's point of view to see the German officer who is walking in, not only shows the environment but also points out the characters. In the end, Schindler raised the money in his hand and called the waiter. The light just hit his hand, concise and to the point, if only I had half the talent.
At the beginning, the lighting of Schindler was still backlit, keeping a sense of mystery. When the camera came around, Schindler's head turned, and the light was no longer backlit, which clearly showed Schindler's self-confidence. This shot is simply impossible. more exciting
This shot is very interesting. After seeing it, I realized that it was actually the viewpoint shot of the officer sitting across the table. When receiving the wine, the officer was first surprised and then confused
Immediately ordered his men to inquire about Schindler, the beauty was obviously curious about Schindler, which shows that Schindler was still very interested in the opposite sex. Vision Schindler is talking to the female reporter, most likely asking about the two officers
On the surface, the officer was flirting with the beautiful woman, but he was actually observing Schindler secretly. From the second shot, you can see that although the image of the beautiful woman occupies a large proportion, it is very virtual, and Schindler's image is small but very clear. When the officer found that his subordinates were invited by Schindler, he panicked immediately. The people who came and went in the foreground strengthened the officer's curiosity and panic from the image. Dele's outstanding communication skills (
The officer decided to go to meet Schindler in person, but was left out, unwilling and confused. After all, he didn't know why Schindler was holy. Schindler noticed the neglected beauties and invited them to come with him. This can be understood as Schindler's keen observation and his lust. After all, he was really cheated by lust. And this officer will never forget his image at any time, as long as he takes a picture, he will make a good expression. in the second shot
When the music changes, the style of painting also changes. If the rhythm in the front is static, the rhythm here is movement, and the second one uses a lateral movement to strengthen the connection between the beautiful woman and the officer, laying the groundwork for the person's lust in the back, and Schindler also observed this. Here Schindler is obviously different from the previous observations. With the successful experience, Schindler is more confident, no longer secretive but bold observation.
The officer even drank and applauded, and the beautiful woman couldn't help but look at him. The fourth shot was taken from a low angle, showing a bunch of officers with beautiful legs. color on this officer
Personally, I feel that this beauty is also interesting to the officer, otherwise why do you always look at him, he is also very itchy. Schindler gave the waiter a lot of money, and it looked like he was about to make a nasty move. Note that the money here is all old, and the money Schindler gave at the beginning was new. Schindler should be almost gone. Money, it's probably most of his savings
The performance of Schindler's observation of the officer this time is also completely different from the last time. Compared with the last time, it was more "static". This time, it is a combination of movement and stillness. The dancing of a beautiful woman is considered to be moving. The officer and Schindler are still. It's more about pushing the rhythm further to the climax
The first shot was instantly defocused when the flash passed by, simulating the effect of being hit by the flash, and watching the banquet from the perspective of a bystander. In the last shot, the lascivious officer hooked up with the beautiful woman. As the saying goes, everyone wants what they want
It is ironic that Schindler ordered French wine in Germany, and Schindler learned to give some cigarettes to Germany later when he gave gifts. In the later drinking episode, Schindler and the Nazis like different wines, which also reflects the different thinking of Schindler and the Nazis. Lustful officers look extremely ugly when they eat. Schindler's ordering of wine is considered to be a certain level of high-end clothing B. He was originally a poor and destitute person.
This episode mainly shows the prejudice of Nazi officers against Jews
The flash was used to start a new plot point. The atmosphere of the whole banquet was very happy, and the rhythm was more joyful. The first shot is of an officer holding a beautiful woman behind him, with the door frame exposed beside him, showing the space
The late big man finally arrived, obviously a polite officer who was out of tune with the joyful crowd behind him. As soon as he came up, he called the waiter's name, indicating that he was a regular here. Schindler in the foreground is leading everyone to sing together, and Schindler's communication skills are really quite impressive. The big man must be curious about Schindler
When it comes to Schindler, the waiter is very excited, as if knowing Schindler is a very proud thing. Through Schindler's generous shots and outstanding communication methods, the waiter's views and attitudes towards Schindler have greatly changed.
Using the flash again to divide the plot and omitting unnecessary processes, Schindler not only took pictures with each officer individually, but also took a big group photo with everyone, as well as a group photo with the beauties. The recurring female reporter has been taking pictures, and it can also be speculated from here that Schindler's previous conversation with the female reporter should include asking her to help take pictures.
The senior officer who had never been involved in the previous photo was successfully captured by Schindler, and the two also toasted and drank together.
Through the plot of Schindler's communication in the banquet hall, the director showed us Schindler's excellent communication skills and his lustful shortcomings, and also showed the hatred of German officers for Jews, which was shown in just a few minutes. The three main German officers have different personalities, and I have to sigh that Spielberg is really powerful
I'm tired of my eyes just after this short paragraph. I can't show it in one video from beginning to end, otherwise my page will be stuck again.
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